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Shan servants carrying a brass gong - early 20th century
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Shan servants carrying a brass gong - early 20th century
3790373 Shan servants carrying a brass gong - early 20th century by Menpes, Mortimer Ludington (1855-1938); (add.info.: Shan servants, in traditional dress, carrying a brass gong. After the illustration by Mortimer Menpes, caption reads: A Burmese gong which was sounded during the procession, and which gave out a peculiarly rich and resonant note. British Empire.(Australian artist Mortimer Menpes 1855 - 1938)
Durbar by Dorothy Menpes Illustrated by Mortimer Menpes, published by Adam and Charles Black, 1903. p.118); Lebrecht History
Media ID 22544362
© Lebrecht History / Bridgeman Images
1900 1910 British Empire British Raj Burma Colonies Fine Arts Gong Gongs Instruments Shan South Asia Sub Continent Turn Of The Century
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EDITORS COMMENTS
This photograph captures a moment from the early 20th century, showcasing Shan servants carrying a brass gong. The image, originally illustrated by Australian artist Mortimer Menpes, offers a glimpse into the rich cultural heritage of Burma during the British Raj. In traditional attire, these Shan servants proudly carry the magnificent brass gong as part of an elaborate procession. The caption accompanying the illustration describes this particular gong as producing a uniquely resonant note that adds to the grandeur of the event. The photograph is taken from "Durbar" an illustrated book by Dorothy Menpes and published in 1903. It provides valuable insight into colonial life and showcases Menpes' artistic talent in capturing intricate details through his drawings. As we delve into history through this image, it becomes evident how musical instruments like this brass gong played an integral role in government ceremonies and cultural events throughout South Asia's subcontinent. This depiction serves as a reminder of both colonialism's influence on local traditions and artistry's ability to transcend time. Preserved by Bridgeman Images' Fine Art Finder collection, this print invites us to appreciate not only its aesthetic value but also its historical significance within the context of British Empire rule over Burma during that era.
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