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Zira: in Captivity, poem from The Garden of Kama
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Zira: in Captivity, poem from The Garden of Kama
3780001 Zira: in Captivity, poem from The Garden of Kama by Shaw, Byam (1872-1919); (add.info.: Zira: in captivity, poem from The Garden of Kama and other love lyrics from India, by Laurence Hope (pseudonym for Adela Florence Nicolson, b 9 April 1865-4 October 1904). First published 1901. Illustrated by Byam Shaw, b November 13, 1872 - January 26, 1919. Both had lived in India. All day long I lie Watching the changes of the far-off sky Behind the lattice-work of carven stone. And all night long, alas! I lie alone.
the Garden of Kama, London, William Heinemann); Lebrecht History
Media ID 25493682
© Lebrecht History / Bridgeman Images
Byam Shaw Couples Eastern Erotic Garden Of Kama Laurence Hope Longing Orientalism Poets Sari Saris Unrequited Love Inida Literary Arts Poems
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This print titled "Zira: in Captivity, poem from The Garden of Kama" transports us to a world of unrequited love and longing. Illustrated by the talented Byam Shaw, this image beautifully captures the essence of Laurence Hope's poignant poem. The photograph depicts a woman, adorned in an exquisite sari, gazing out into the distance through intricately carved lattice-work. Behind her lies a vast expanse of sky, ever-changing and elusive. It is as if she is trapped within her own emotions, confined by the boundaries of her captivity. The melancholic atmosphere conveyed in this image speaks volumes about the themes explored in both Hope's poetry and Shaw's illustrations. Unfulfilled desires and yearning are palpable as we witness Zira's solitary existence throughout day and night. Through this artwork, we are transported to India - a land rich with culture and tradition - where love takes on various forms. The delicate brushstrokes capture not only Zira's physical beauty but also evoke a sense of sadness that resonates deeply within our hearts. As we delve into the depths of this painting, we cannot help but be reminded of our own experiences with unrequited love or longing for something beyond our reach. This timeless piece serves as a reminder that such emotions transcend time and place – they are universal threads that connect us all. Intriguingly blending elements of Victorian aesthetics with Eastern influences, "Zira: in Captivity" invites us to explore the complexities of human emotion while appreciating both literary arts and visual expression at their finest.
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