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Okeover Church - All Saints : water colour painting, nd [c1830-1840] (painting)
![Okeover Church - All Saints : water colour painting, nd [c1830-1840] (painting)](/p/690/okeover-church-all-saints-water-colour-22768720.jpg.webp "Okeover Church - All Saints : water colour painting, nd [c1830-1840] (painting)")
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Okeover Church - All Saints : water colour painting, nd [c1830-1840] (painting)
5898522 Okeover Church - All Saints : water colour painting, nd [c1830-1840] (painting) by Wood, Lewis John (1813-1901); 29.2x20.3 cm; The William Salt Library, Stafford, UK; (add.info.: All Saints Church, Okeover. North east view showing a white tower against a bright blue sky. The body of the church is covered in ivy. There is a Queen Anne style house close on the right with a portico.); eWilliam Salt Library; English, out of copyright
Media ID 22768720
© William Salt Library / Bridgeman Images
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This watercolor painting, titled "Okeover Church - All Saints" transports viewers to a bygone era with its timeless charm. Created by Lewis John Wood in the early 19th century, this delicate artwork measures 29.2x20.3 cm and is housed at The William Salt Library in Stafford, UK. The scene depicted showcases the picturesque All Saints Church in Okeover from a northeast perspective. Against a backdrop of an immaculately blue sky, a striking white tower stands tall and proud amidst lush greenery covered in ivy. The church's body exudes an air of tranquility and history as it nestles harmoniously within its natural surroundings. Adding to the allure of this idyllic setting is a Queen Anne style house situated nearby on the right side of the composition. This elegant residence boasts a portico that further enhances its architectural beauty while complementing the overall aesthetic appeal of this enchanting landscape. Wood's masterful brushstrokes capture not only the physical attributes but also evoke emotions associated with this serene place of worship and its surrounding environment. Through his artistry, he invites us to appreciate both nature's splendor and human craftsmanship. As we gaze upon this exquisite print, we are transported back in time to witness firsthand the harmonious coexistence between man-made structures and their natural surroundings—a testament to humanity's ability to create beauty that seamlessly integrates into our world.
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