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Ministerial fantasia. Illustration for Le Rire (colour litho)
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Ministerial fantasia. Illustration for Le Rire (colour litho)
2786058 Ministerial fantasia. Illustration for Le Rire (colour litho) by Leandre, Charles (1862-1934); Private Collection; (add.info.: Ministerial fantasia. Political satire depicting French Naval Minister Gaston Thomson and Interior Minister Eugene Etienne. Illustration for Le Rire, 4 March 1905.); © Look and Learn
Media ID 23130708
© Look and Learn / Bridgeman Images
Arabs Camel Camels Charles Leandre Du Soudan Le Rire Leandre Charles 1862 1934 Minister Of Marine Ministers Arab Civilization Arab Culture Arabians Caricatures Central Africa Interior Minister Sudan
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Ministerial Fantasia - A Whimsical Satire on French Politics
EDITORS COMMENTS
. This vibrant and humorous print, titled "Ministerial Fantasia" captures the essence of political satire in early 20th century France. Created by renowned artist Charles Leandre for the magazine Le Rire, this colour lithograph showcases his talent for caricature and social commentary. The illustration depicts two prominent French ministers, Gaston Thomson and Eugene Etienne, in a comical scenario. Dressed in elaborate costumes reminiscent of Arabian attire, they are shown riding camels through a fantastical landscape filled with flying insects. The exaggerated features and expressions add to the overall amusement of the scene. Leandre's satirical approach cleverly pokes fun at the politicians' roles as Minister of Marine and Interior Minister respectively. Through this whimsical portrayal, he highlights their perceived incompetence or perhaps even their detachment from reality. The artist's use of vivid colours brings an added liveliness to the artwork while also emphasizing its playful nature. This piece not only offers entertainment but also serves as a scathing critique of political figures during that era. "Ministerial Fantasia" is a testament to Leandre's artistic prowess and his ability to capture both humor and social commentary within his works. It remains an intriguing snapshot into French politics at that time, showcasing how art can be used as a powerful tool for expression and reflection on society.
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