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Cover of "Le Don Quixote", number 330, Satirique en Couleurs

Cover of 'Le Don Quixote', number 330, Satirique en Couleurs


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Cover of "Le Don Quixote", number 330, Satirique en Couleurs

ICA4926815 Cover of " Le Don Quixote", number 330, Satirique en Couleurs, 1880_10_15: Rompons nous? - Anticlericalism - Separation of Church and State - Ferry Jules, Moines - Illustration by Charles Gilbert-Martin (1839-1905) by Gilbert-Martin, Charles (1839-1905); (add.info.: Cover of " Le Don Quixote", number 330, Satirique en Couleurs, 1880_10_15: Rompons nous? - Anticlericalism - Separation of Church and State - Ferry Jules, Moines - Illustration by Charles Gilbert-Martin (1839-1905)); Photo eCaricadoc; French, out of copyright

Media ID 23718334

© Caricadoc / Bridgeman Images

Anticlericalism Doubt Ferry Jules 1832 1893 Laicite Separation A Journal Caricadoc Journalism Newspapers


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EDITORS COMMENTS
The print captures the cover of "Le Don Quixote", number 330, Satirique en Couleurs, a satirical publication from 1880. The illustration by Charles Gilbert-Martin depicts a scene filled with political symbolism and commentary on the relationship between the Church and State. Titled "Rompons nous?" (Let's break up?), the image reflects an era of intense anticlericalism in France, marked by debates surrounding the separation of Church and State. Jules Ferry, a prominent figure in French politics at the time, is depicted as a monk amidst doubt and controversy. The engraving serves as a powerful critique of religious orders' influence on government affairs. This piece showcases Gilbert-Martin's talent as an illustrator during the late 19th century. His attention to detail brings to life this thought-provoking composition that challenges societal norms and questions established power structures. The photograph itself was captured by eCaricadoc and is now part of public domain due to its age. Preserved through time, it offers us a glimpse into historical events that shaped French society during this period. As we observe this artwork today, we are reminded of how art can serve as both reflection and catalyst for change. It prompts us to reflect upon our own beliefs about religion, politics, and their intersection within society.

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