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Cover of "The Don Quixote", number 225, Satirique en Colours
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Cover of "The Don Quixote", number 225, Satirique en Colours
ICA4926226 Cover of " The Don Quixote", number 225, Satirique en Colours, 1878_10_11: The harvest of 1878 - Anticlericalism - Failure of the Church - Gambetta Leon, Jesuites - Illustration by Charles Gilbert-Martin (1839-1905) by Gilbert-Martin, Charles (1839-1905); (add.info.: Cover of " The Don Quixote", number 225, Satirique en Colours, 1878_10_11: The harvest of 1878 - Anticlericalism - Failure of the Church - Gambetta Leon, Jesuites - Illustration by Charles Gilbert-Martin (1839-1905)); Photo eCaricadoc; French, out of copyright
Media ID 23718314
© Caricadoc / Bridgeman Images
Gambetta Grape Harvest Knife Leon 1838 1882 Scale Change Viticulture A Journal Caricadoc Journalism Newspapers
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EDITORS COMMENTS
This print showcases the cover of "The Don Quixote" number 225, Satirique en Colours, dating back to 1878. The image is a powerful representation of the political and social climate during that time. Created by Charles Gilbert-Martin, an esteemed illustrator from the 19th century, this engraving delves into themes such as anticlericalism and the failure of the Church. The artwork depicts a scene from the harvest of 1878 in France, highlighting various elements like a political basket and knife symbolizing government control over viticulture. A caricatured figure representing Gambetta Leon stands prominently alongside Jesuites, emphasizing their influence on religious orders. The illustration cleverly critiques both church authority and governmental interference in agricultural affairs. With meticulous attention to detail, Gilbert-Martin captures the essence of French society at that time through his intricate portrayal of Jesus holding grapes - a metaphor for fruitfulness or abundance tainted by corruption. This thought-provoking piece reflects not only historical events but also serves as commentary on societal issues prevalent during that era. Preserved within this photograph print is an invaluable piece of European history; it offers us insight into past struggles while reminding us how art can be utilized as a medium for social critique and expression.
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