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Poster advertising a performance at the Comedie-Francaise on 22 October, 1852
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Poster advertising a performance at the Comedie-Francaise on 22 October, 1852
618991 Poster advertising a performance at the Comedie-FranAzaise on 22 October, 1852, of Corneilles tragedy, Cinna, followed by a recital of the poem L Empire C est La Paix and a performance of Alfred de Mussets comedy, Il Ne Faut Jurer de Rien, 1852 (printed paper) by French School, (19th century); Private Collection; (add.info.: Cinna ou la Clemence d Auguste by Pierre Corneille (1606-84) production starring Mademoiselle Rachel (1821-58); the entertainment was performed in the presence of Prince Louis Napoleon Bonaparte (1808-73), shortly before he became Emperor of the French; the significance of the recital of L Empire c est la Paix ( Empire means Peace ) is because these was the phrase used by Louis Napoleon Bonaparte to inaugurate the Second Empire; ); French, out of copyright
Media ID 23542618
© Bridgeman Images
Affiche Alfred De Musset Comedie Comedie Francaise Corneille Francaise Mademoiselle Napoleon Iii Pierre Production Propaganda Publicity Rachel Second Empire Starring Cinna Clemence Francais
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EDITORS COMMENTS
This print takes us back to the vibrant world of 19th-century French theatre. The poster advertising a performance at the Comedie-Francaise on 22 October, 1852, is a fascinating glimpse into the cultural landscape of that era. The main attraction of this theatrical extravaganza was Corneille's tragic masterpiece, Cinna. Starring the renowned Mademoiselle Rachel, this production promised an unforgettable experience for theatergoers. But the excitement didn't end there. Following Cinna, there would be a recital of the poem L Empire C est La Paix (Empire means Peace) and a performance of Alfred de Musset's comedy, Il Ne Faut Jurer de Rien. What makes this particular event even more significant is that it took place in the presence of Prince Louis Napoleon Bonaparte himself, who would soon become Emperor Napoleon III. The inclusion of L Empire C est La Paix in the program holds great symbolic value as it echoes Louis Napoleon's inauguration phrase for his Second Empire. This beautifully preserved advertisement captures not only the grandeur and elegance associated with French theater but also offers insight into political propaganda during that time period. It serves as a reminder that art has always been intertwined with politics and power. As we gaze upon this historical artifact from our modern perspective, we are transported back to a bygone era where drama unfolded on stage while history was being made offstage.
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