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A View of Seringapatam, 1791 circa (oil on canvas)
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A View of Seringapatam, 1791 circa (oil on canvas)
5925042 A View of Seringapatam, 1791 circa (oil on canvas) by Unknown artist, (18th century); National Army Museum, London; (add.info.: A View of Seringapatam, 1791 circa.
Oil on canvas, artist unknown.
Seringapatam (Srirangapatnam) was the fortified capital of Tipu Sultan Shah Bahadur (1750-1799), ruler of Mysore, in Southern India. It is situated on the island of the same name in the River Cauvery (Kaveri), approximately 9 miles (14.5 km) north-east of Mysore city, and named after the islandAs ancient temple of Sri Ranganatha Swami (894 AD).
In 1791, during the 3rd Mysore War (1790-1792), a British force invaded Mysore, commanded by the Governor-General of India, Lieutenant-General Charles, 1st Marquess Cornwallis (1738-1805). Tipu was driven back to his stronghold at Seringapatam and although insufficient supplies forced the British to retire, the following year, Cornwallis negotiated a peace treaty. The Sultan ceded a large part of his dominions to the British. This view shows the city from the British position, with Madras soldiers reconnoitring in the foreground and Indian cavalry riding by.
Although the artist of this painting has not been identified, the right-hand group of cavalry is the subject of a print after Major James Rennell (1742-1830), showing the Mahratta Army advancing to join Lord Cornwallis near Seringapatam in 1791. Rennell was the first Surveyor-General of Bengal and is known as A The father of Indian geographyA for his surveys, maps and reports of India. In 1780, he produced A Bengal Atlas, that remained the standard administrative map for the region for half a century.
In April 1799, a British force under Lieutenant-General George Harris (later 1st Baron Harris, GCB, 1746-1829), besieged the city a third time in the culminating act of the 4th Mysore War (1799). On 4 May, the city was captured and Tipu was killed in the mlee. In Britain, news of TipuAs death was greeted with celebration, as it was believed he had been in league with agents of Revolutionary France.); eNational Army Museum; out of copyright
Media ID 22763152
© National Army Museum / Bridgeman Images
Equipment Reconnaissance Telescope
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A View of Seringapatam, 1791 circa
EDITORS COMMENTS
is a captivating oil painting that offers a glimpse into the historical city of Seringapatam during the 18th century. The artist remains unknown, but their skill in capturing the essence of this significant moment in time is undeniable. Seringapatam, situated on an island in the River Cauvery, served as the fortified capital of Tipu Sultan Shah Bahadur, ruler of Mysore. In 1791, during the 3rd Mysore War, British forces led by Lieutenant-General Charles Cornwallis invaded Mysore and drove Tipu back to his stronghold at Seringapatam. The painting depicts a view from the British position with Madras soldiers reconnoitering in the foreground and Indian cavalry riding by. It showcases not only the strategic importance of Seringapatam but also highlights its architectural beauty and cultural significance. Interestingly, part of this artwork was inspired by a print created by Major James Rennell depicting Indian cavalry advancing to join Lord Cornwallis near Seringapatam. Rennell's contributions as a surveyor-general and geographer were highly regarded for their accuracy and detail. In April 1799, another British force besieged Seringapatam for a third time during the culminating act of the 4th Mysore War. The city was eventually captured on May 4th, leading to Tipu's demise. This event brought about celebration in Britain due to suspicions that he had been aligned with Revolutionary France. This print allows us to appreciate both artistic talent and historical events while providing insight into one chapter of India's rich past.
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