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L Assiette au Beurre, number 64, Satirique en couleurs, 1902_6_28: England Great Britain - Salisbury Lord (Robert Arthur Talbot Gascoyne-Cecil, 1830-1903) (lithograph)
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L Assiette au Beurre, number 64, Satirique en couleurs, 1902_6_28: England Great Britain - Salisbury Lord (Robert Arthur Talbot Gascoyne-Cecil, 1830-1903) (lithograph)
ICA4877788 L Assiette au Beurre, number 64, Satirique en couleurs, 1902_6_28: England Great Britain - Salisbury Lord (Robert Arthur Talbot Gascoyne-Cecil, 1830-1903) (lithograph) by Camara, Leal de (1877-1948); (add.info.: L Plate au beurre, number 64, Satirique en couleurs, 1902_6_28: England Great Britain - Salisbury Lord (Robert Arthur Talbot Gascoyne-Cecil, 1830-1903) - Illustration by Leal de Camara (1877-1948)); Photo © Caricadoc
Media ID 25139766
© Caricadoc / Bridgeman Images
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EDITORS COMMENTS
This lithograph from 1902 titled "L Assiette au Beurre, number 64, Satirique en couleurs" offers a satirical portrayal of Lord Salisbury, also known as Robert Arthur Talbot Gascoyne-Cecil. The print was created by Leal de Camara and is part of the iconic French magazine L'Assiette au Beurre. Lord Salisbury, a prominent English statesman who served as Prime Minister during the late 19th century until his death in 1903, is depicted in this caricature with exaggerated features and comical elements. The artist's use of vibrant colors adds to the visual impact of the piece. The engraving showcases the intersection between politics and art during that era. It provides insight into public opinion towards political figures like Lord Salisbury and highlights how satire played a role in critiquing those in power. This artwork serves as an important historical document capturing both English and French perspectives on British government at the turn of the 20th century. It reflects not only on Lord Salisbury's leadership but also on broader themes such as international relations between England and France. Overall, this lithograph offers viewers a glimpse into the world of political caricature through its clever composition and artistic execution. It reminds us that even great statesmen are subject to scrutiny and humor within their respective societies.
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