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Madonna and Child enthroned with angels and saints
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Madonna and Child enthroned with angels and saints
3573788 Madonna and Child enthroned with angels and saints by Lotto, Lorenzo (c.1480-1556); San Benardino in Pignolo, Bergamo, Italy; (add.info.: Artist: Lotto, Lorenzo
Date of Artwork: 1521
Location: Church of San Bernardino in Pignolo, Bergamo
Photographer: Tatge, George for Alinari); Alinari Archives, Florence
Media ID 23137648
© Alinari Archives, Florence / Bridgeman Images
Altarpiece Baldachin Bible New Testament Element Furnishings For Sacred Spaces Furniture And Furnishings High And Late Renaissance High Renaissance Jesus Christ Christ Child Life And Representations Of The Virgin Lorenzo Lotto Madonna And Child With Saints Movable Modern Work Renaissance Baroque Styles And Periods Seraph Seraphs Staff Subject Cinquecento Reinassance Renaissance Time Small Bell
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EDITORS COMMENTS
This print showcases Lorenzo Lotto's masterpiece, "Madonna and Child enthroned with angels and saints". Created in 1521, this high Renaissance artwork is located in the Church of San Bernardino in Pignolo, Bergamo, Italy. The photograph was expertly captured by George Tatge for Alinari Archives. In this stunning composition, we see the figure of Madonna seated on a magnificent throne alongside her divine child Jesus Christ. Surrounding them are a host of angels and saints, creating an ethereal atmosphere that transports viewers to another realm. The landscape depicted behind them adds depth to the scene while emphasizing the heavenly nature of their presence. Lotto's attention to detail is evident throughout the painting. From the intricate furnishings for sacred spaces to small bells adorning Madonna's attire, every element has been meticulously crafted. The artist skillfully combines elements from both Renaissance and Baroque styles, resulting in a truly unique piece. The inclusion of various religious symbols such as books representing biblical texts further enhances the spiritual significance portrayed within this altarpiece. Additionally, Saint Bernardino himself can be seen holding a staff adorned with seraphs—a symbol often associated with divine beings. This movable modern work serves as a testament to Lotto's talent as both a painter and an artist during the Renaissance period. Its timeless beauty continues to captivate audiences today and solidifies its place among other renowned Italian masterpieces.
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