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The Bottle, Plate V, Cold, misery and want destroy their youngest child
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The Bottle, Plate V, Cold, misery and want destroy their youngest child
STC169284 The Bottle, Plate V, Cold, misery and want destroy their youngest child: they console themselves with the bottle, 1847 (engraving) by Cruikshank, George (1792-1878) (after); Private Collection; The Stapleton Collection; English, out of copyright
Media ID 22605434
© The Stapleton Collection / Bridgeman Images
Addiction Alcoholic Alcoholism Coffin Desolate Despair Destitute Grief Grim Huddled Hunger Hungry Misery Penniless Penury Temperance Tragedy Vice Weeping
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In this poignant and thought-provoking print titled "The Bottle, Plate V, Cold, misery and want destroy their youngest child" artist George Cruikshank captures the devastating consequences of addiction and poverty during the Victorian era. The image portrays a destitute family huddled together in despair, seeking solace in the bottle amidst their grim circumstances. The scene is filled with palpable sadness as hunger and grief consume the youngest child. Their emaciated figures reflect the harsh reality of living in penury, while their tear-stained faces reveal the depths of their despair. The coffin nearby serves as a haunting reminder of the tragic fate that awaits them if they continue down this path. Cruikshank's engraving masterfully conveys not only the physical tolls of alcoholism but also its emotional impact on families. It serves as a scathing satire against vice and highlights society's need for temperance. This artwork resonates even today, reminding us that addiction knows no boundaries and can lead to unimaginable suffering. It urges us to confront our own vices and extend compassion towards those caught in its grip. "The Bottle" stands as a powerful testament to both Cruikshank's artistic prowess and his commitment to social commentary. Through this image, he invites viewers to contemplate issues surrounding addiction, poverty, and familial tragedy – themes that remain relevant centuries later.
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