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Plate 353. Support Arms and Arms Port, 1872-85 (collotype on paper)
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Plate 353. Support Arms and Arms Port, 1872-85 (collotype on paper)
3950331 Plate 353. Support Arms and Arms Port, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 27.8x26.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume V, Men (Pelvis Cloth)); eAddison Gallery of American Art; gift of the Edwin J. Beinecke Trust; English, out of copyright
Media ID 23259828
© Addison Gallery of American Art gift of the Edwin J. Beinecke Trust / Bridgeman Images
Animal Locomotion Bayonet Early Motion Picture Sequence Frames Happy Jolly Jovial Knife Loincloth Motion Pelvis Cloth Semi Naked Sequence Sequential Smile Stop Motion Thong B W Photo Black And White Photograph
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This photograph, titled "Plate 353. Support Arms and Arms Port" captures a moment frozen in time from Eadweard Muybridge's groundbreaking series, Animal Locomotion. Taken between 1872-85, this collotype print showcases Muybridge's pioneering work in early motion picture sequences. In this particular frame, we see a man with a jovial smile on his face, exuding an air of confidence and happiness. He stands semi-naked, adorned only with a pelvis cloth or loincloth - a nod to the cultural context of the era. The man holds various weapons: a rifle, knife, and bayonet; symbols of power and protection. Muybridge's scientific approach to photography is evident in the meticulous study of movement captured here. Each frame represents one step towards understanding the mechanics of human locomotion. This image serves as both an artistic composition and an invaluable tool for scientific research. The monochromatic palette adds depth to the composition while emphasizing the details of every element within it. The contrast between light and shadow creates dynamic energy that further enhances our perception of motion. As we gaze upon this historical artifact from over a century ago, we are reminded not only of Muybridge's immense contribution to photography but also how art can bridge gaps between disciplines such as science and visual expression.
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