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Plate 366. Running, Hitch and Kick, 1872-85 (collotype on paper)
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Plate 366. Running, Hitch and Kick, 1872-85 (collotype on paper)
3950341 Plate 366. Running, Hitch and Kick, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23x45.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume V, Men (Pelvis Cloth)); eAddison Gallery of American Art; gift of the Edwin J. Beinecke Trust; English, out of copyright
Media ID 22544774
© Addison Gallery of American Art gift of the Edwin J. Beinecke Trust / Bridgeman Images
Animal Locomotion Athletic Early Motion Picture Sequence Frames Jump Jumping Kick Kicking Leap Leaping Loincloth Motion Pelvis Cloth Semi Naked Sequence Sequential Skinny Slim Stop Motion Thin B W Photo Black And White Photograph
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EDITORS COMMENTS
This photograph, titled "Plate 366. Running, Hitch and Kick" captures a remarkable moment frozen in time. Taken between the years of 1872-85 by Eadweard Muybridge, a pioneer in early motion picture sequences, this collotype print showcases his groundbreaking work on animal locomotion. The image portrays a slender and athletic man leaping into action with an impressive kick mid-air. His body is captured in sequential frames, highlighting the fluidity and grace of his movement. The subject's nudity adds to the rawness and vulnerability of the scene, while also emphasizing the focus on pure athleticism. Muybridge's scientific approach to photography is evident in this study of movement. Each frame serves as a meticulous record of human motion, providing valuable insights into biomechanics and anatomy during that era. This photograph stands as a testament to Muybridge's dedication to capturing moments that were previously unseen or misunderstood. Displayed at the Addison Gallery of American Art at Phillips Academy in Andover, MA, USA, this print holds historical significance within the realm of both art and science. It invites viewers to appreciate not only its aesthetic beauty but also its contribution to our understanding of human kinetics. As we gaze upon this extraordinary image from Bridgeman Images' collection, we are reminded once again how art can transcend time and bridge gaps between disciplines like photography and science
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