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Plate 512. Contortions on Rings, 1872-85 (collotype on paper)
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Plate 512. Contortions on Rings, 1872-85 (collotype on paper)
3950358 Plate 512. Contortions on Rings, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 17.6x44 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume V, Men (Pelvis Cloth)); eAddison Gallery of American Art; gift of the Edwin J. Beinecke Trust; English, out of copyright
Media ID 22312328
© Addison Gallery of American Art gift of the Edwin J. Beinecke Trust / Bridgeman Images
Acrobat Acrobatic Acrobatics Animal Locomotion Contortion Contortionist Early Motion Picture Sequence Frames Hang Hanging Loincloth Mid Air Motion Pelvis Cloth Semi Naked Sequence Sequential Stop Motion Twist Twisted Upside Down B W Photo Black And White Photograph Midair
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This photograph, titled "Plate 512. Contortions on Rings, 1872-85" captures a mesmerizing moment frozen in time. Taken by the renowned photographer Eadweard Muybridge, this collotype print showcases his groundbreaking work in capturing motion through sequential frames. Part of Muybridge's iconic series "Animal Locomotion" this particular image is from Volume V dedicated to men's movements. The subject of the photo is a male contortionist suspended mid-air on rings, displaying incredible flexibility and strength. His body twists and contorts with graceful precision as he hangs upside down. The scientific nature of this photograph is evident as it serves as a study in movement and human anatomy. Through meticulous stop-motion techniques, Muybridge was able to capture every intricate detail of the acrobat's performance. The composition evokes a sense of awe and admiration for both the physical capabilities of the human body and Muybridge's pioneering photographic skills. The semi-naked contortionist wears only a pelvis cloth or loincloth, adding an element of vulnerability to his impressive display. Displayed at the Addison Gallery of American Art at Phillips Academy in Andover, MA, USA, this print continues to captivate viewers with its timeless beauty and exploration into human motion. It stands as a testament to Muybridge's significant contributions to early motion picture sequences and scientific photography alike.
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