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Plate 624. Gallop; Saddle; Bay Horse Daisy, 1885 (collotype on paper)
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Plate 624. Gallop; Saddle; Bay Horse Daisy, 1885 (collotype on paper)
3950600 Plate 624. Gallop; Saddle; Bay Horse Daisy, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 15.4x43.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume IX, Horses); gift of the Edwin J. Beinecke Trust; English, out of copyright
Media ID 23659300
© gift of the Edwin J. Beinecke Trust / Bridgeman Images
Animal Locomotion Early Motion Picture Sequence Frames Gallop Galloping Horserider Horseriding Motion Mounted Ride Sequence Sequential Speed Stop Motion Victorian Style B W Photo Black And White Photograph
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EDITORS COMMENTS
This photograph, titled "Plate 624. Gallop; Saddle; Bay Horse Daisy, 1885" captures a mesmerizing moment frozen in time. Taken by the renowned photographer Eadweard Muybridge, this collotype print showcases his groundbreaking work on animal locomotion. The image features a bay horse named Daisy galloping at full speed, with a rider mounted on its back. The intensity of their movement is palpable as they race through the frame. Muybridge's meticulous stop-motion technique allows us to witness every detail of this exhilarating sequence. With its scientific approach and sequential composition, this photograph serves as an early motion picture precursor. It provides valuable insight into the study of movement and captures the essence of equestrian sportsmanship during Victorian times. The rider dons a classic hat while displaying remarkable control over their powerful steed. The dynamic energy exuded by both horse and rider embodies the spirit of horseriding as a thrilling sport. Muybridge's mastery in capturing such fleeting moments offers viewers an extraordinary glimpse into the world of animals in motion. This particular print is housed at Addison Gallery of American Art, Phillips Academy in Andover, MA, USA – a testament to its artistic significance. As we admire this stunning piece from Bridgeman Images' collection, we are reminded not only of Muybridge's pioneering contributions to photography but also our enduring fascination with horses and their graceful athleticism.
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