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Getting Ready for a Visit, plate eight from Intimacies, 1898
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Getting Ready for a Visit, plate eight from Intimacies, 1898
2972303 Getting Ready for a Visit, plate eight from Intimacies, 1898 (woodcut in black on cream wove paper) by Vallotton, Felix Edouard (1865-1925); 17.7x22.4 cm; The Art Institute of Chicago, IL, USA; (add.info.: Published by La Revue Blanche); Gift of the Print and Drawing Club; Swiss, out of copyright
Media ID 23429520
© Gift of the Print and Drawing Club / Bridgeman Images
Anticipation Beauty Care Beauty Products Couples Fragrance Getting Ready Perfume Prints Visits La Revue Blanche
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> Interiors: Domestic
Getting Ready for a Visit
EDITORS COMMENTS
captures the essence of anticipation and preparation in a domestic setting. This woodcut print by Felix Edouard Vallotton, created in 1898, offers an intimate glimpse into the world of women as they meticulously groom themselves before receiving guests. The scene unfolds within the confines of an elegant interior, where two women are engrossed in their beauty rituals. The atmosphere is charged with excitement as they adorn themselves with fragrance and carefully apply makeup. Their actions speak volumes about their desire to present themselves at their best for the impending visit. In this portrayal of femininity, Vallotton skillfully portrays the intricate relationship between appearance and social interactions. As these women engage in acts of self-care, they also navigate societal expectations and norms surrounding marriage and female beauty. The presence of men is subtly hinted at through references to masculine fragrances and grooming products scattered across the room. It suggests that these preparations are not solely driven by personal satisfaction but also influenced by desires to impress potential suitors or maintain harmonious relationships. Vallotton's masterful use of black on cream wove paper adds depth to this evocative composition, highlighting both lightness and shadows within the scene. The print's small size invites viewers into this private moment while leaving ample room for interpretation. As we gaze upon "Getting Ready for a Visit" we cannot help but be captivated by its timeless depiction of human connection, gender dynamics, and our eternal quest for self-presentation when welcoming others into
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