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Opening page of the Book of Genesis with capital I

Opening page of the Book of Genesis with capital I


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Opening page of the Book of Genesis with capital I

485198 Opening page of the Book of Genesis with capital I from the beginning of the Bible, In Principio creavit Deus caelum, from the Visigothic-Mozarabic Bible of St. Isidore s, fol.14v. A.D. 960 (tempera on vellum) by Spanish School, (10th century); Archivo Capitular de la Real Colegiata de San Isidoro. Leon, Spain; (add.info.: Biblia de Leon; one of the rarest of medieval manuscripts, the completion of this Mozarabic bible can be precisely dated to June 19, 960 at the Monastery of Valeranica; also recorded are the names of the copyists, the miniaturist, Florencio and the calligrapher, Sancho; this bible contains all the books of the Old and New Testaments and has marginal annotations in both Latin and Arabic; ); Spanish, out of copyright

Media ID 22923772

© Bridgeman Images

Beginning Genesis Initial Isidore Lettering Mozarabic Visigothic


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> Arts > Art Movements > Medieval Art

> Arts > Artists > S > Spanish School

> Europe > Spain > Related Images

> Fine Art Finder > Artists > Edmond Georges Grandjean

> Fine Art Finder > Artists > Spanish School (after)

> Fine Art Finder > Manuscripts: Religious


EDITORS COMMENTS
This print showcases the opening page of the Book of Genesis, taken from the Visigothic-Mozarabic Bible of St. Isidore's, dating back to A. D. 960. The intricate capital letter 'I' at the beginning of the Bible immediately draws attention and sets a tone of grandeur for what lies within its pages. Created by Spanish artists in the 10th century, this masterpiece is housed in the Archivo Capitular de la Real Colegiata de San Isidoro in Leon, Spain. Known as Biblia de Leon, it is considered one of the rarest medieval manuscripts ever discovered. The completion date of this Mozarabic bible holds historical significance - June 19,960 - marking an important milestone achieved at the Monastery of Valeranica. Notably, we have records that mention Florencio as the miniaturist and Sancho as the calligrapher involved in its creation. Containing all books from both Old and New Testaments, this biblical treasure also features marginal annotations written in Latin and Arabic languages. Its illuminated illustrations reflect elements inspired by Gothic art intertwined with Visigothic influences. As we gaze upon this remarkable print captured by Bridgeman Images, we are transported back through time to witness not only a visually stunning work but also a testament to human dedication and craftsmanship that has stood strong for centuries.

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