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Thuner. 5304619 Thuner.; (add.info.: Thuner circa 1728 - 1730, by John Michael Rysbrack
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Thuner. 5304619 Thuner.; (add.info.: Thuner circa 1728 - 1730, by John Michael Rysbrack
5304619 Thuner.; (add.info.: Thuner circa 1728 - 1730, by John Michael Rysbrack (1694-1770). Thuner, the god of thunder, was one of the seven Saxon gods that Rysbrack made for Lord Cobham's garden at Stowe. They were placed around the Temple of Liberty and formed an integral part of the underlying political theme of the garden. Another god from the series, Sunna, is displayed nearby. Made from Portland stone, Formerly at Stowe, Buckinghamshire.); Universal History Archive/UIG
Media ID 38170930
© Universal History Archive/UIG / Bridgeman Images
Bas Reliefs Liberty Lord Cobham Saxon Stowe Thunder Wooden Carving God Of Thunder John Michael Rysbrack
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EDITORS COMMENTS
This stunning print captures the intricate carving of Thuner, the god of thunder, created by John Michael Rysbrack in the early 18th century. The detailed bas relief sculpture is made from Portland stone and was originally part of a series of seven Saxon gods commissioned for Lord Cobham's garden at Stowe.
Thuner stands as a powerful symbol of strength and authority, embodying the raw power of nature itself. Positioned near the Temple of Liberty, this statue plays a crucial role in conveying the underlying political themes present throughout the garden.
Rysbrack's masterful craftsmanship is evident in every detail of Thuner's form - from his fierce expression to the dynamic pose that suggests imminent thunderous action. The god's presence exudes an aura of reverence and awe, drawing viewers into a world where mythology and politics intertwine seamlessly.
As one gazes upon this remarkable piece, it becomes clear that Thuner is not merely a representation of ancient beliefs but also serves as a reminder of the enduring influence that art can have on shaping our understanding of history and culture. This print truly captures the essence of Rysbrack's vision and brings to life an important chapter in artistic and political history.
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