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Cover of "Le Grelot", number 994, Satirique en Couleurs
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Cover of "Le Grelot", number 994, Satirique en Couleurs
ICA4924492 Cover of " Le Grelot", number 994, Satirique en Couleurs, 1890_4_20: Candidates of religion - Anticlericalism - Eg with reactionaries, Divisions within the Church - Taxil Leo (1854-1907), Leon XIII, Dog, Pork, Drumont Edouard (1844-1917) - Illustration by Edouard Guillaumin (Pepin) (1842-1910) by Pepin, Edouard Guillaumin (1842-1927); (add.info.: Cover of " Le Grelot", number 994, Satirique en Couleurs, 1890_4_20: Candidates of religion - Anticlericalism - Eg with reactionaries, Divisions within the Church - Taxil Leo (1854-1907), Leon XIII, Dog, Pork, Drumont Edouard (1844-1917) - Illustration by Edouard Guillaumin (Pepin) (1842-1910)); Photo eCaricadoc; French, out of copyright
Media ID 22874594
© Caricadoc / Bridgeman Images
Anticlericalism Election Journalist Leo Xiii 1810 1903 Spank A Journal Caricadoc Journalism Newspapers
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This photograph captures the cover of "Le Grelot" number 994, Satirique en Couleurs. The satirical journal was published in France in 1890 and features a thought-provoking illustration by Edouard Guillaumin (Pepin). The image depicts various candidates of religion, highlighting the theme of anticlericalism during that time period. It showcases the divisions within the Church, with reactionaries represented alongside symbols such as a dog, pork, and prominent figures like Taxil Leo (1854-1907), Leon XIII, and Drumont Edouard (1844-1917). Edouard Guillaumin's skillful engraving brings this satirical cartoon to life. The intricate details capture the essence of political commentary prevalent in French journalism at that time. This print from Fine Art Finder offers a glimpse into 19th-century France's vibrant press culture. It reflects on religious order, politics, and societal issues through caricatured depictions. The inclusion of female writers further emphasizes the role literature played in shaping public opinion. As we observe this historical artifact today, it serves as a reminder of how art can be used to critique social norms and challenge established institutions. This particular piece encapsulates both satire and political commentary while showcasing Guillaumin's talent as an engraver. Overall, this photograph provides valuable insight into French society during the late 19th century—a time marked by significant cultural shifts—and highlights the power of visual storytelling through caricatures and illustrations found within publications like "Le Grelot. "
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