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Circle demonstrating colour differences and contrasts, from a book
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Circle demonstrating colour differences and contrasts, from a book
CHT316934 Circle demonstrating colour differences and contrasts, from a book, Expose d un Moyen de definir et de nommer les couleurs, by Eugene Chevreul, published in Paris by Firmin Didot in 1861 (colour litho) by French School, (19th century); Private Collection; (add.info.: 1er Cercle Chromatique renfermant les couleurs franches; Michel Eugene Franche (1786-1889) was a celebrated French chemist who also worked and wrote on colours; his work influenced neo-impressionist painters including Seurat and Signac; colour wheel); eArchives Charmet; French, out of copyright
Media ID 23375858
© Archives Charmet / Bridgeman Images
Chart Influence Influential Theory Treatise
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EDITORS COMMENTS
This print showcases a circle demonstrating the mesmerizing differences and contrasts of colors. Taken from Eugene Chevreul's renowned book, "Expose d'un Moyen de definir et de nommer les couleurs" published in Paris by Firmin Didot in 1861, this color lithograph is an exquisite piece of art from the 19th century. The image depicts the first Chromatic Circle containing vibrant colors, meticulously arranged to highlight their distinctiveness. Created by Michel Eugene Franche, a celebrated French chemist who delved into the world of colors and left an indelible mark on art theory, this influential chart influenced neo-impressionist painters such as Seurat and Signac. The color wheel presented here not only serves as a visual treatise but also represents a significant milestone in understanding and defining colors. Its intricate design reveals how different hues interact with one another, offering valuable insights into the harmonious blending or striking contrasts that can be achieved through careful selection. As we admire this remarkable artwork captured by Bridgeman Images for private collection purposes only (without commercial use), let us delve into its historical significance. This photograph invites us to appreciate both the scientific exploration conducted by Franche and Chevreul's profound impact on artists seeking to master their craft through an enhanced understanding of color theory.
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