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Psyche Throwing Herself into the River, 1866 (woodcut)
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Psyche Throwing Herself into the River, 1866 (woodcut)
3726002 Psyche Throwing Herself into the River, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 10.4x8 cm; Private Collection; (add.info.: Designed by Sir Edward Burne-Jones for The Tale of Cupid & Psyche and cut in woodblock by William Morris (1834-96) in 1866.); By courtesy of Julian Hartnoll; English, out of copyright
Media ID 23153214
© courtesy of Julian Hartnoll / Bridgeman Images
Cupid And Psyche Current Despair Desperate Miserable Monochrome Quest Suicidal Suicide Torrent Trial Wretched Pre Raphaelite
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EDITORS COMMENTS
This black and white woodcut print, titled "Psyche Throwing Herself into the River" transports us to a moment of profound despair and desperation. Created in 1866 by Sir Edward Burne-Jones, one of the prominent figures of the Pre-Raphaelite movement, this artwork depicts a pivotal scene from the ancient Greek mythological tale of Cupid and Psyche. Standing on the riverbank with her flowing gown billowing around her, Psyche is depicted at full length as she contemplates her fate. Love's trials have brought her to this wretched state, pushing her towards an act of ultimate desperation - suicide. The torrential current symbolizes both the physical danger that awaits Psyche and also represents the emotional turmoil tormenting her soul. The monochrome palette adds to the somber atmosphere surrounding this haunting image. Every line etched onto woodblock by William Morris carries a sense of anguish and misery that permeates through every inch of this composition. As we gaze upon this print, we are reminded not only of Psyche's personal quest for love but also our own struggles with matters of heartache and longing. It serves as a timeless reminder that even in moments when all hope seems lost, there is always strength within us to endure life's challenges. This powerful portrayal invites us to reflect on themes such as love, sacrifice, and resilience while immersing ourselves in classical mythology through Burne-Jones' masterful interpretation.
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