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The Liberation of St Peter, 1862-3 (stained glass)

The Liberation of St Peter, 1862-3 (stained glass)


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The Liberation of St Peter, 1862-3 (stained glass)

3474766 The Liberation of St Peter, 1862-3 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael, Lyndhurst, UK; (add.info.: Manufactured by Morris, Marshall, Faulkner & Co, adapted from William White); eAlastair Carew-Cox; English, out of copyright

Media ID 22726808

© Alastair Carew-Cox / Bridgeman Images

Asleep Bright Cell Chains Church Window Gaol Gothic Revival Gothick Guard Guards Jail Lamp Liberation Manacles Neo Gothic Oil Lamp Passed Out Polearms Prison Rest Shackles Stained Glass Window Victorian Gothic Barrell Ecclesiastical Pre Raphaelite


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > C > Coley

> Arts > Art Movements > Medieval Art

> Arts > Artists > B > Edward Coley Burne-Jones

> Arts > Artists > Edward Burne-Jones > Medieval-inspired paintings

> Arts > Artists > Edward Burne-Jones > Pre-Raphaelite art

> Arts > Artists > Edward Burne-Jones > Victorian era paintings

> Arts > Artists > Edward Burne-Jones

> Arts > Artists > M > William Marshall

> Arts > Artists > M > William Morris

> Arts > Artists > W > William White

> Fine Art Finder > Artists > Edward Coley Burne-Jones

> Fine Art Finder > Stained Glass


EDITORS COMMENTS
This print showcases "The Liberation of St Peter" a stunning stained glass artwork created by Edward Coley Burne-Jones in 1862-3. The piece can be found at St Michael in Lyndhurst, UK, and was manufactured by Morris, Marshall, Faulkner & Co with adaptations from William White. In this neo-gothic masterpiece, we witness a powerful scene depicting the release of St Peter from prison. The image is filled with vibrant colors and intricate details that bring the medieval setting to life. A soldier stands guard outside the cell while St Peter rests peacefully inside, having passed out after his liberation. The stained glass window portrays an important religious moment within a gothic revival context. It beautifully captures the essence of British ecclesiastical art during the Victorian era. Notably influenced by the pre-Raphaelite art movement, Burne-Jones's work exudes a sense of tranquility and spirituality. The use of light through an oil lamp adds depth to the composition and enhances its overall ethereal quality. This photograph allows us to appreciate Alastair Carew-Cox's skillful capture of this magnificent artwork without commercial intentions. It invites viewers to immerse themselves in this mesmerizing piece and admire its historical significance as well as its artistic beauty.

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