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Study of a Woman with a Musical Instrument, 1895 (Coloured chalks with gold paint

Study of a Woman with a Musical Instrument, 1895 (Coloured chalks with gold paint


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Study of a Woman with a Musical Instrument, 1895 (Coloured chalks with gold paint

1217458 Study of a Woman with a Musical Instrument, 1895 (Coloured chalks with gold paint and watercolour) by Burne-Jones, Edward Coley (1833-98); 34.9x22.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Media ID 22536106

© Ashmolean Museum / Bridgeman Images

Drapery Dulcimer Garland Harp Lyre Maiden Melancholy Stringed Instrument Westernart Zither Pre Raphaelite


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> Animals > Fishes > C > Coley

> Arts > Art Movements > Medieval Art

> Arts > Artists > B > Edward Coley Burne-Jones

> Arts > Artists > Edward Burne-Jones > Medieval-inspired paintings

> Arts > Artists > Edward Burne-Jones > Pre-Raphaelite art

> Arts > Artists > Edward Burne-Jones

> Arts > Contemporary art > Landscapes > Mountain landscapes

> Arts > Landscape paintings > Landscape art > Mountain landscapes

> Arts > Realistic drawings > Landscape drawings > Fine art

> Arts > Watercolor paintings

> Fine Art Finder > Artists > Edward Coley Burne-Jones

> Fine Art Finder > Pre-raphaelites & Neo-classical


EDITORS COMMENTS
This print showcases Edward Coley Burne-Jones' exquisite artwork titled "Study of a Woman with a Musical Instrument, 1895". The piece, created using coloured chalks with gold paint and watercolour, measures 34.9x22.8 cm and is housed in the prestigious Ashmolean Museum at the University of Oxford. In this enchanting composition, we see a female figure immersed in her musical world. She holds a stringed instrument delicately while wearing an intricate crown upon her head. Surrounded by majestic mountains and draped in flowing garments, she exudes both melancholy and medieval charm. The artist's meticulous attention to detail is evident as he captures every nuance of the woman's expression and attire. The harmonious blend of colours adds depth to the scene, accentuating the beauty of both the subject and her surroundings. As our gaze wanders through this mesmerizing image, we notice ivy climbing up the wall behind her—a symbol of eternal love—and garlands adorning various musical instruments such as zithers, dulcimers, and lyres. Burne-Jones' work reflects his affiliation with the Pre-Raphaelite movement—an artistic style that sought inspiration from medieval art forms—making this piece an exemplary representation of its ideals. With its ethereal atmosphere and masterful execution, "Study of a Woman with a Musical Instrument" transports us into a realm where music intertwines with nature's grandeur—a testament to both human creativity and Mother

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