Widow Costards Cow and Goods, Distrained for Taxes, are Redeemed by the Generosity

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Widow Costards Cow and Goods, Distrained for Taxes, are Redeemed by the Generosity

XYC160203 Widow Costards Cow and Goods, Distrained for Taxes, are Redeemed by the Generosity of Johnny Pearmain, 1782 (oil on canvas) by Penny, Edward (1714-91); 91.5x78.8 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Media ID 12733780

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Belongings Destitute Generosity Kind Kindness Possessions Seized Taxation Assets

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EDITORS COMMENTS
The captivating oil painting, "Widow Costards Cow and Goods, Distrained for Taxes, are Redeemed by the Generosity of Johnny Pearmain" depicts a poignant scene that speaks volumes about compassion and generosity. Created by Edward Penny in 1782, this masterpiece measures 91.5x78.8 cm and is housed at the Yale Center for British Art. In this evocative artwork, we see Widow Costard, an elderly female who has fallen victim to destitution and poverty due to excessive taxation. Her meager possessions and beloved cow have been seized as distraint for unpaid taxes. However, amidst her despair emerges a glimmer of hope in the form of Johnny Pearmain's benevolence. Penny skillfully captures the essence of class society through this heartrending portrayal. The stark contrast between Widow Costard's humble existence and the wealthier members of society serves as a reminder of societal disparities prevalent during that era. Yet it is kindness that takes center stage in this composition – Johnny Pearmain's act of redemption symbolizes humanity's capacity for empathy and selflessness even in times when such virtues seem scarce. This powerful image resonates with viewers on multiple levels: it prompts reflection on our own role within society while reminding us that acts of generosity can uplift those burdened by misfortune or inequality. "Widow Costards Cow and Goods" stands as a testament to art's ability to transcend time, inviting us into an emotional narrative where compassion triumphs over

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