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Mrs. Lovell Reddie, (watercolour)
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Mrs. Lovell Reddie, (watercolour)
828385 Mrs. Lovell Reddie, (watercolour) by Hodgkins, Frances (1869-1947); 45.7x41.9 cm; Private Collection; (add.info.: Mrs. Lovell Reddie. Frances Hodgkins (1869-1947). Watercolour. 45.7 x 41.9cm. The sitter befriended the artist when she was living in a room in Fitzroy Square, circa 1912.); Photo © Christies Images; New Zealander, out of copyright
Media ID 25159060
© Christie's Images / Bridgeman Images
1912 20th Century Painting Accessories Arm Resting Artists Model Brown Hair Brunette Dark Hair Darkness Determination Determined Direct Gaze Frances Hodgkins Greater London Hodgkins Human Role Incopyright Jewelery Jewellry Jewlery Leaning On Elbow Looking At Camera Model New Zealand Artist Nocturnal Personal Accessory Topographical Topographical Art Water Color Water Colour Woman Alone Ethnic Origin Jewels Portrait Style Portraiture Positive Concepts
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This watercolour portrait, titled "Mrs. Lovell Reddie" was created by the talented New Zealand artist Frances Hodgkins in the early 20th century. Measuring 45.7 x 41.9cm, this artwork showcases a stunning depiction of a mid-adult woman with brown hair and a determined gaze. The subject of this painting is Mrs. Lovell Reddie, who became friends with Hodgkins during her stay in Fitzroy Square around 1912. The artist beautifully captures Mrs. Reddie's elegance and poise as she leans on her elbow, wearing exquisite jewelry that adorns her neck and arm. Hodgkins' mastery of watercolour shines through in this piece, as she expertly portrays the play of light and shadow to create depth and atmosphere within the composition. The dark background enhances Mrs. Reddie's presence, drawing our attention solely to her captivating expression. Through this portrait, Hodgkins not only immortalizes Mrs. Lovell Reddie but also showcases her own artistic prowess as an accomplished painter of portraiture during the early 20th century. This print from Fine Art Finder allows us to appreciate the beauty and skill captured within Hodgkins' work while providing insight into the personal connection between artist and sitter during their time together in London over a hundred years ago.
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