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Fabio Albergati received by Philip II of Spain, while an Artist Secrectly Executes his
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Fabio Albergati received by Philip II of Spain, while an Artist Secrectly Executes his
990360 Fabio Albergati received by Philip II of Spain, while an Artist Secrectly Executes his Portrait on the Kings Instructions (oil on canvas) by Burrini or Burino, Giovanni Antonio (1657-1727) (attr.to); 264.1x172.8 cm; Private Collection; (add.info.: Fabio Albergati received by Philip II of Spain, while an Artist Secrectly Executes his Portrait on the Kings Instructions. Attributed to Giovanni Antonio Burrini (1657-1727). Oil on canvas. 264.1 x 172.8cm.); Photo eChristies Images; Italian, out of copyright
Media ID 23675122
© Christie's Images / Bridgeman Images
African Ethnicity Art Equipment Artistic Artistique Attendant Attendants Calculating Cleaner Cleaning Lady Conspiracy Creative Activity Creativity Curtain Deceit Deception Domestic Staff Drapes Early Eighteenth Century Easel Four People Furnishing Governess Housekeeper Housemaid Instruction Italian Art Italian Artist Mixed Race Group Mounted On Canvas Negative Concept Old Master Paintings On Canvas Philip Ii Of Spain Plot Rococo Rococo Art Rococo Era Secrecy Secret Secrets Service Small Group Small Group Of People Soft Furnishing Staff Using Hands Ethnic Origin Interior Decoration Maid Occupation Portrait Style Portraiture
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EDITORS COMMENTS
This print captures a moment of intrigue and secrecy in the early 18th century. Fabio Albergati, an important figure of his time, is being received by Philip II of Spain in a grand setting. However, unbeknownst to them both, an artist is secretly executing Albergati's portrait on the king's instructions. The painting itself, attributed to Giovanni Antonio Burrini, showcases exquisite artistry with its oil on canvas technique. The composition measures an impressive 264.1 x 172.8cm and belongs to a private collection. The image reveals a small group of people gathered in an opulent interior adorned with drapes and fine furnishings typical of the period. The artist can be seen meticulously capturing Albergati's likeness while maintaining utmost secrecy. There is a sense of calculated deception as everyone involved plays their part in this clandestine plot. Despite the atmosphere of conspiracy, the scene exudes creativity and artistic activity. Philip II sits regally as he engages with his visitor, unaware that his every move is being immortalized on canvas. Meanwhile, attendants discreetly assist in maintaining the illusion while ensuring no one discovers their secret endeavor. This photograph offers us a rare glimpse into this hidden world where portraiture becomes intertwined with politics and power dynamics. It serves as a testament to the skillful manipulation behind closed doors during this era—an intriguing snapshot frozen in time for all art enthusiasts to admire and ponder upon today.
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