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Child-dog produced by zoophilia: engraving of the book of Ambroise Pare: Monsters and Wonders (1573) - Excerpts from the text: "There are monsters that are born half of the figure of beets and the other human [...] that are produced by sodomites
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Child-dog produced by zoophilia: engraving of the book of Ambroise Pare: Monsters and Wonders (1573) - Excerpts from the text: "There are monsters that are born half of the figure of beets and the other human [...] that are produced by sodomites
PCT4261026 Child-dog produced by zoophilia: engraving of the book of Ambroise Pare: Monsters and Wonders (1573) - Excerpts from the text: "There are monsters that are born half of the figure of beets and the other human [...] that are produced by sodomites and atheists, who join and overflow against nature with the beets, and from it several monsters are born. hideous and greatly shameful to see and talk about it.; (add.info.: Child-dog produced by zoophilia: engraving of the book of Ambroise Pare: Monsters and Wonders (1573) - Excerpts from the text: "There are monsters that are born half of the figure of beets and the other human [...] that are produced by sodomites and atheists, who join and overflow against nature with the beets, and from it several monsters are born. hideous and greatly shameful to see and talk about it.)
Media ID 38155506
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This haunting and thought-provoking print captures an engraving from Ambroise Paré's book "Monsters and Wonders" (1573), depicting a Child-dog produced by zoophilia. The text accompanying the image describes the monstrous result of unnatural unions between humans and animals, attributing such abominations to sodomites and atheists who defy nature.
The intricate details in this engraving showcase the disturbing fusion of a child's body with that of a dog, creating a grotesque hybrid that challenges our understanding of what is possible. The artist, Patrice Cartier, has skillfully brought this historical illustration to life through his interpretation, inviting viewers to contemplate the implications of such forbidden acts.
As we gaze upon this unsettling image, we are reminded of the dark corners of human history where taboos were broken and boundaries crossed in pursuit of knowledge or power. It serves as a cautionary tale against playing god and meddling with forces beyond our control.
Through Cartier's lens, we are confronted with the consequences of hubris and moral decay, urging us to reflect on our own actions and their impact on the world around us. This Child-dog stands as a testament to both the wonders and horrors that can arise when humanity strays too far from its natural course.
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