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Portrait of an unknown sitter, c. 1532. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884
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Portrait of an unknown sitter, c. 1532. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884
FLO4638658 Portrait of an unknown sitter, c. 1532. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.; (add.info.: Portrait of an unknown sitter, c. 1532. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.); © Florilegius
Media ID 38440328
© © Florilegius / Bridgeman Images
16eme Siecle Broker Courtier Francis Bartolozzi Gentleman Hans Holbein King Henry Viii Noble
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EDITORS COMMENTS
This stunning handcoloured copperplate engraving captures the essence of a mysterious sitter from the 16th century, brought to life by the skilled hands of Francis Bartolozzi after the original work by Hans Holbein. The intricate details and delicate coloring showcase the artistry and attention to detail that was characteristic of this era.
The unknown sitter exudes an air of nobility and elegance, with a gaze that seems to pierce through time itself. Their attire suggests a person of high status, perhaps a courtier or even royalty. The portrait is imbued with a sense of intrigue, inviting viewers to ponder about the identity and story behind this enigmatic figure.
As we admire this exquisite piece, we are transported back to a time when portraiture was not just about capturing physical likeness, but also conveying personality and character. The meticulous craftsmanship evident in every stroke speaks volumes about the talent of both Holbein and Bartolozzi.
This print serves as a window into history, offering us a glimpse into the world of 16th-century Europe and its opulent courts. It reminds us of the enduring power of art to transcend time and connect us with our past.
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