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Alexander Grantham Yorke, Alick, 20 August 1881, Vanity Fair cartoon (colour litho)

Alexander Grantham Yorke, Alick, 20 August 1881, Vanity Fair cartoon (colour litho)


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Alexander Grantham Yorke, Alick, 20 August 1881, Vanity Fair cartoon (colour litho)

611591 Alexander Grantham Yorke, Alick, 20 August 1881, Vanity Fair cartoon (colour litho) by Ward, Leslie Matthew (Spy) (1851-1922); Private Collection; (add.info.: Alexander Grantham Yorke, Alick, 20 August 1881, Vanity Fair cartoon); Look and Learn / Peter Jackson Collection

Media ID 22413860

© Look and Learn / Peter Jackson Collection / Bridgeman Images

Alick Vanity Fair


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> Fine Art Finder > Artists > Leslie Matthew (1851-1922) Ward

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EDITORS COMMENTS
This vibrant and captivating print showcases the satirical genius of Leslie Matthew Ward, also known as Spy. Titled "Alexander Grantham Yorke, Alick" this Vanity Fair cartoon from 20 August 1881 is a true masterpiece of caricature and scathing satire. In this colorful lithograph, Ward skillfully captures the essence of Alexander Grantham Yorke, affectionately known as Alick. With his keen eye for detail and wit, Ward presents us with a humorous yet incisive portrayal of this prominent figure. Alick's larger-than-life persona is brought to life through exaggerated features and clever symbolism. The artist's meticulous attention to detail shines through in every stroke, capturing not only physical characteristics but also hinting at deeper aspects of his personality. The use of vibrant colors adds an extra layer of dynamism to the image, enhancing its visual impact. This striking combination makes it impossible to look away from the print; one can't help but be drawn into its world. As we delve into this satirical drawing by Spy, we are reminded once again of the power that art holds in reflecting society back onto itself. Through humor and sharp observation, Ward invites us to question authority figures like Alick while simultaneously entertaining us with his artistic prowess. This remarkable piece serves as a testament to Leslie Matthew Ward's talent as both an artist and social commentator. It stands proudly among other iconic works featured in Vanity Fair magazine during that era – forever etching itself into history

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