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The Carriage Of The Corpse Of The Painter Segantini From The Hut On The Schafberg, Where He Died, To The Church Of Maloja (Colour Litho)
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The Carriage Of The Corpse Of The Painter Segantini From The Hut On The Schafberg, Where He Died, To The Church Of Maloja (Colour Litho)
2798231 The Carriage Of The Corpse Of The Painter Segantini From The Hut On The Schafberg, Where He Died, To The Church Of Maloja (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The Carriage Of The Body Of The Painter Segantini From The Hut On The Schafberg, Where He Died, To The Church Of Maloja. Illustration for Courier Sunday, 15 October 1899.); © Look and Learn
Media ID 25495756
© Look and Learn / Bridgeman Images
Alpine Alpine Scene Alps Corpse Corpses Divisionist Ecosystem Enviroment Fresh Air High Mountain Mountain Peak Mountain Peaks Mountain Scape Mountain Scenery Moutain Moutainous Moutains Natures The Alps Achille Beltrame Landcape Landscaoe Swissman
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EDITORS COMMENTS
The Carriage Of The Corpse Of The Painter Segantini From The Hut On The Schafberg, Where He Died, To The Church Of Maloja (Colour Litho) captures a poignant moment in art history. This stunning print by Achille Beltrame depicts the solemn procession of Giovanni Battista Emanuele Maria Segantini's body from the remote hut where he passed away to the church in Maloja. Segantini, a renowned Italian symbolist and divisionist painter, succumbed to peritonitis while seeking solace and inspiration amidst the breathtaking Swiss Alps. His love for nature and landscapes is evident in his works of art that often portrayed mountain scenes with meticulous detail. Beltrame's lithograph beautifully conveys the somber atmosphere surrounding this event. As mourners carry Segantini's lifeless body through the rugged alpine terrain, one can almost feel the weight of their grief against the backdrop of majestic peaks and valleys. This artwork serves as a testament to Segantini's legacy as an artist who found solace and inspiration in nature but ultimately met his untimely demise there. It also highlights Beltrame's skill as an illustrator who captured both emotion and landscape with equal precision. The Carriage Of The Corpse Of The Painter Segantini From The Hut On The Schafberg, Where He Died, To The Church Of Maloja (Colour Litho) stands as a powerful reminder of how art intertwines with life and death, leaving behind lasting impressions on those who encounter it.
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