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Garrick between tragedy and comedy (engraving)
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Garrick between tragedy and comedy (engraving)
819589 Garrick between tragedy and comedy (engraving) by Reynolds, Joshua (1723-92) (after); Private Collection; (add.info.: Garrick between tragedy and comedy, engraved by Anthony Cardon from a picture by Sir Joshua Reynolds, in the collection of John Julius Angerstein. Class 1 painting for the Fine Arts of the English School.); Look and Learn / Elgar Collection; English, out of copyright
Media ID 22226888
© Look and Learn / Elgar Collection / Bridgeman Images
Comedy David Garrick Dramatists Garrick Performing Playwrights Theatrical Tragedy
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EDITORS COMMENTS
This print showcases the iconic "Garrick between tragedy and comedy" engraving by Joshua Reynolds. The image depicts the legendary actor David Garrick, known for his exceptional talent in both tragic and comedic roles, standing at the crossroads of these two dramatic genres. In this masterful artwork, Garrick is portrayed with a commanding presence, exuding confidence and versatility. His expressive face captures the essence of his craft as he embodies both tragedy and comedy simultaneously. The artist skillfully captures the duality of emotions that actors must convey on stage. Surrounded by theatrical elements such as costumes and props, this engraving transports us to a vibrant world of performing arts in 18th-century England. It serves as a testament to the enduring power of theater and its ability to captivate audiences across generations. The fine details in this print highlight Anthony Cardon's expert craftsmanship in translating Reynolds' original painting into an exquisite engraved masterpiece. This particular piece was part of John Julius Angerstein's esteemed collection, further emphasizing its significance within the realm of English fine arts. Whether you are an admirer of theater or simply appreciate artistic excellence, this print offers a glimpse into one man's extraordinary ability to embody both tragedy and comedy on stage – forever immortalized through Sir Joshua Reynolds' brushstrokes.
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