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A king and a dervish from Lights of Canopus, 1847 (ink and pigment on paper)

A king and a dervish from Lights of Canopus, 1847 (ink and pigment on paper)


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A king and a dervish from Lights of Canopus, 1847 (ink and pigment on paper)

3619846 A king and a dervish from Lights of Canopus, 1847 (ink and pigment on paper) by Persian School, (19th century); 35x21.5 cm; Walters Art Museum, Baltimore, USA; (add.info.: Folio 31b from Ms. W.599, a copy of Anvar-i Suhayli (the Lights of Canopus) Persian version by Mirza Rahim of Kalilah wa-Dimnah (The Fables of Bidpay) an ancient Indian collection of animal fables (Panchatantra) which follow the Persian physician Burzuyah on a mission to India where he finds a book of stories collected by anthropomorphized animals who live there); Persian, out of copyright

Media ID 22975062

© Bridgeman Images

Anthropomorphize Behaviour Bidpai Canopus Dervish Folio Iran Iranian Lesson Moral Morality Painted Panchatantra Persia Qajar Star Whirling Fable


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EDITORS COMMENTS
This print showcases a mesmerizing scene from the "Lights of Canopus" an intricate Persian manuscript dating back to 1847. The image depicts a king and a dervish, both beautifully rendered in ink and pigment on paper by the talented Persian School of the 19th century. The composition transports us into a world where morality and behavior take center stage. Seated side by side, the king and dervish symbolize contrasting aspects of human nature. The dervish, known for his whirling dance and spiritual wisdom, represents humility and simplicity. In contrast, the regal king embodies power and authority. This illustration is part of Ms. W. 599, which is a copy of Anvar-i Suhayli (the Lights of Canopus), translated into Persian by Mirza Rahim from Kalilah wa-Dimnah (The Fables of Bidpay). These ancient Indian animal fables (Panchatantra) were collected by anthropomorphized animals living in India. Through this artwork, we are reminded that even kings can learn valuable lessons from humble sources like animal fables. It highlights the universal nature of moral teachings transcending cultural boundaries between Persia (Iran) and India. Displayed at the Walters Art Museum in Baltimore, USA, this exquisite piece invites viewers to delve into its rich symbolism while appreciating the skillful craftsmanship behind it. As we gaze upon this remarkable painting, we are transported to an era where art was not only visually

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