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Mummy lid, from the coffin of the Chief of scribes of the temple of Amun Re
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Mummy lid, from the coffin of the Chief of scribes of the temple of Amun Re
487647 Mummy lid, from the coffin of the Chief of scribes of the temple of Amun Re, Nespawershefyt, Third Intermediate Period, c.1000 BC (painted wood) by Egyptian 21st Dynasty (c.1069-945 BC); Fitzwilliam Museum, University of Cambridge, UK; (add.info.: The Precinct of Amun-Re, located near Luxor, Egypt, is one of the four main temple enclosures that make up the immense Karnak Temple Complex.); eFitzwilliam Museum; Egyptian, out of copyright
Media ID 23494538
© Fitzwilliam Museum / Bridgeman Images
Ancient Egyptian Coffin Equipment Funerary Gods Mummy Third Intermediate Period
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EDITORS COMMENTS
This print showcases the exquisite Mummy lid, originating from the coffin of Nespawershefyt, Chief of Scribes of the temple of Amun Re during Egypt's Third Intermediate Period around 1000 BC. Crafted by skilled artisans from painted wood, this ornate piece is a testament to the artistic prowess and reverence for the afterlife in ancient Egyptian culture. The lid's intricate decoration transports us back in time to an era when gods and mortals coexisted harmoniously. Adorned with vibrant colors and meticulous details, it depicts various deities associated with Amun-Re, one of Egypt's most significant gods. The precise brushstrokes bring these divine figures to life, evoking a sense of awe and spirituality. Nespawershefyt's high status within society is evident through this lavishly decorated mummy lid. As Chief of Scribes, he held a position of great importance within the temple complex dedicated to Amun-Re near Luxor. This sacred precinct formed part of the colossal Karnak Temple Complex that still stands as a testament to ancient Egyptian architectural grandeur. Now housed at Fitzwilliam Museum at the University of Cambridge in the UK, this remarkable artifact continues to captivate audiences worldwide. Its presence serves as a reminder not only of Egypt's rich cultural heritage but also its enduring fascination with death and immortality.
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