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A Phyllis of the Sierras, by Bret Harte (engraving)
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A Phyllis of the Sierras, by Bret Harte (engraving)
1591640 A Phyllis of the Sierras, by Bret Harte (engraving) by Woodville, Richard Caton II (1856-1927) (after); Private Collection; (add.info.: A Phyllis of the Sierras, by Bret Harte. Illustration for The Illustrated London News, Christmas Number 1887.
R Caton Woodville); Look and Learn / Illustrated Papers Collection
Media ID 23073200
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Bret Harte California Gloves Literary Illustrations Sierras
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EDITORS COMMENTS
This engraving, titled "A Phyllis of the Sierras" transports us to the rugged landscapes of California in the late 19th century. Created by Richard Caton Woodville II after Bret Harte's literary masterpiece, this print captures a pivotal moment from The Illustrated London News' Christmas Number in 1887. The scene depicts a young woman named Phyllis, beautifully portrayed with delicate features and adorned in elegant attire. She sits gracefully on an intricately carved wooden chair, her gloved hands resting gently on her lap. Behind her, the majestic Sierra Nevada mountains rise majestically into the sky, their peaks shrouded in mist. Woodville's masterful technique brings depth and texture to every detail - from Phyllis' flowing dress to the intricate patterns etched into the chairs. The artist skillfully conveys both beauty and strength through his portrayal of Phyllis amidst such wild surroundings. This enchanting illustration not only showcases Woodville's artistic prowess but also pays homage to Harte's evocative storytelling. It invites us to delve into a world where nature intertwines with human emotions and challenges our perceptions of love, courage, and resilience. As we gaze upon this mesmerizing print from Bridgeman Images' Private Collection, we are reminded that art has an extraordinary power to transport us across time and space – allowing us glimpses into distant lands while stirring our imaginations with tales yet untold.
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