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Pontifical insignia and sacrificial instruments, from the freeze of the temple of Jupiter Tonans at Rome (engraving)

Pontifical insignia and sacrificial instruments, from the freeze of the temple of Jupiter Tonans at Rome (engraving)


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Pontifical insignia and sacrificial instruments, from the freeze of the temple of Jupiter Tonans at Rome (engraving)

5200958 Pontifical insignia and sacrificial instruments, from the freeze of the temple of Jupiter Tonans at Rome (engraving) by English School, (19th century); Private Collection; (add.info.: Pontifical insignia and sacrificial instruments, from the freeze of the temple of Jupiter Tonans at Rome. Illustration for Costume of the Ancients by Thomas Hope (Henry G Bohn, 1841).); © Look and Learn

Media ID 23616068

© Look and Learn / Bridgeman Images

Ancients Crate Freeze Incense Insignia Instruments Patera Sacrificial Aspergillum Augurs Hasta Lituus Pontifical


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EDITORS COMMENTS
This engraving captures the intricate details of pontifical insignia and sacrificial instruments from the freeze of the temple of Jupiter Tonans in ancient Rome. The image showcases a rich tapestry of classical costume and dress, providing a glimpse into the fashion and clothing styles of that era. The central focus is on an array of symbolic objects, including a helmet, incense box, patera (a shallow bowl used for libations), simpulum (a ladle-like utensil), dolabrum (an axe-like tool), aspergillum (a sprinkler for holy water), lituus (a curved staff used by augurs), accerra (a sacred basket), lustral crate (used for purification rituals) and flamens' hasta (priestly spear). These artifacts were essential to religious ceremonies and sacrifices performed by priests known as flamens. The attention to detail in this engraving is remarkable; each instrument is meticulously rendered with precision. The artist's skill brings these ancient relics to life, allowing viewers to appreciate their significance within Roman culture. This print was originally featured in "Costume of the Ancients" by Thomas Hope in 1841. It serves as both an educational resource and a testament to the enduring allure of classical antiquity. Whether one admires it for its historical value or simply appreciates its aesthetic beauty, this artwork offers a fascinating window into the world of ancient Rome.

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