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Prisoner in Refractory cell (the outer door being supposed to be thrown back)

Prisoner in Refractory cell (the outer door being supposed to be thrown back)


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Prisoner in Refractory cell (the outer door being supposed to be thrown back)

STC386237 Prisoner in Refractory cell (the outer door being supposed to be thrown back), illustration from The Criminal Prisons of London and Scenes from Prison Life by Henry Mayhew and John Binny, pub. 1862 (engraving) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Media ID 22922706

© The Stapleton Collection / Bridgeman Images

Bars Criminal Justice System Prison Cell Solitary Confinement


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EDITORS COMMENTS
This print titled "Prisoner in Refractory cell" takes us back to the 19th century, offering a glimpse into the harsh realities of the criminal justice system during Victorian times. The image showcases a solitary confinement prison cell with its outer door thrown back, revealing an inmate trapped within its cold and unforgiving walls. The photograph, originally published as an engraving in Henry Mayhew and John Binny's book "The Criminal Prisons of London and Scenes from Prison Life" in 1862, captures the essence of despair and isolation that plagued prisoners during this era. The intricate details depict thick iron bars separating the prisoner from freedom, symbolizing society's attempt to control those who had transgressed against it. As we observe this haunting scene, we are reminded of the immense power wielded by institutions over individuals' lives. Solitary confinement becomes more than just physical imprisonment; it represents a psychological battle between hopelessness and resilience. Through Bridgeman Images' fine art collection, this print transports us back in time to reflect on our progress as a society. It serves as a poignant reminder of how far we have come in reforming our criminal justice system while also highlighting the importance of continued efforts towards rehabilitation rather than mere punishment. Intriguingly captured by an anonymous English School artist from the 19th century, this powerful image invites contemplation on themes such as social justice, human rights, and redemption – timeless topics that continue to

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