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Punch cartoon: Taste for the Monstrous (engraving)

Punch cartoon: Taste for the Monstrous (engraving)


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Punch cartoon: Taste for the Monstrous (engraving)

5237208 Punch cartoon: Taste for the Monstrous (engraving) by English School, (19th century); Private Collection; (add.info.: Taste for the Monstrous. Illustration for Punch, Vol XIII (July - December 1847). Digitally cleaned image.); Look and Learn / George Collection

Media ID 23270682

© Look and Learn / George Collection / Bridgeman Images

Common Egyptian Hall Horrible Mania Monstrous Piccadilly Punch Sensational Strange Taste Values Caricatures Comics Lowest Unusal


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EDITORS COMMENTS
This engraving from the 19th century Punch cartoon collection titled "Taste for the Monstrous" is a true testament to the satirical brilliance of English School artists. The image, now digitally cleaned and restored, showcases a humorous and thought-provoking commentary on society's fascination with the bizarre. In this caricature, we are transported to Piccadilly's Egyptian Hall, where an array of oddities and curiosities are on display. The artist skillfully captures the essence of sensationalism through exaggerated features and deformities that both shock and amuse viewers. With its clever use of satire, this print highlights our collective obsession with all things strange and unusual. The cartoon not only pokes fun at popular taste but also serves as a scathing critique of societal values during that era. It challenges us to question why we find amusement in such grotesque displays while simultaneously exposing our lowest common denominator. As we delve into this remarkable piece, it becomes evident that Punch magazine was more than just a source of entertainment; it was a platform for social commentary. Through its witty advertisements and comic illustrations like this one, Punch aimed to provoke thought while providing laughter. Bridgeman Images has once again brought us an extraordinary glimpse into history with this fine art print. Let us marvel at the talent behind these satirical drawings as they continue to captivate audiences even after centuries have passed.

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