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Pygmalion and the Image - The Hand Refrains, 1878 (oil on canvas)
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Pygmalion and the Image - The Hand Refrains, 1878 (oil on canvas)
BIR186109 Pygmalion and the Image - The Hand Refrains, 1878 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 98.7x76.3 cm; Birmingham Museums and Art Gallery; (add.info.: Two in a series of four paintings); English, out of copyright
Media ID 22917702
© Bridgeman Images
Aphrodite Contemplation Galatea Galatee Hesitation Ideal Perfection Sculpting Sculptor Venus Pre Raphaelite
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EDITORS COMMENTS
The captivating print of "Pygmalion and the Image - The Hand Refrains" transports viewers to a world of artistic contemplation and ethereal beauty. Painted by Edward Coley Burne-Jones in 1878, this oil on canvas masterpiece measures 98.7x76.3 cm and is housed in the Birmingham Museums and Art Gallery. Part of a series of four paintings, this particular artwork captures a pivotal moment in the mythological tale of Pygmalion. In the image, we witness a female sculptor hesitating as her hand refrains from carving further into the marble sculpture before her. Her expression reflects deep contemplation as she strives for perfection in creating an ideal representation of beauty. Within this pre-Raphaelite composition, nudity takes center stage as Aphrodite's statue Galatea stands gracefully amidst the studio. The artist skillfully portrays both vulnerability and strength through Galatea's nakedness, emphasizing her transformation from lifeless stone to living form. Burne-Jones' attention to detail is evident throughout his work; every stroke reveals his dedication to capturing emotion and evoking a sense of wonder within viewers. This print allows us to appreciate not only the painting itself but also Bridgeman Images' commitment to preserving fine art for future generations. As we gaze upon "Pygmalion and the Image - The Hand Refrains" we are reminded that art has the power to transcend time, inviting us into worlds where imagination
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