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The State of Ireland, serving a Process near Headford, Galway (engraving)

The State of Ireland, serving a Process near Headford, Galway (engraving)


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The State of Ireland, serving a Process near Headford, Galway (engraving)

1614069 The State of Ireland, serving a Process near Headford, Galway (engraving) by Woodville, Richard Caton II (1856-1927) (after); Private Collection; (add.info.: The State of Ireland, serving a Process near Headford, Galway. Illustration for The Illustrated London News, 7 February 1880.
R C Woodville); Look and Learn / Illustrated Papers Collection

Media ID 22554804

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

Evictions Galway Irish Land War Police Process Serving State Of Ireland Headford


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> Arts > Artists > W > Caton Woodville

> Arts > Artists > W > Richard Caton Woodville

> Europe > France > Canton > Landes

> Europe > Republic of Ireland > Galway

> Europe > United Kingdom > England > London > Police

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > Richard Caton II (after) Woodville


The State of Ireland, serving a Process near Headford, Galway

EDITORS COMMENTS
is a powerful engraving that captures the tumultuous period of the Irish Land War in the late 19th century. Created by Richard Caton Woodville II and published in The Illustrated London News in February 1880, this print offers a glimpse into the social unrest and struggles faced by the Irish people during this time. The scene depicted showcases a crowd gathered near Headford, Galway as they witness an eviction process taking place. The image portrays both sides of the conflict: on one side stands the state authorities represented by police officers carrying out their duties, while on the other side are distressed locals facing eviction from their homes. The artist's attention to detail brings forth an atmosphere charged with tension and despair. The expressions on people's faces reflect anger, fear, and desperation as they confront this unjust situation. Through his skillful use of light and shadow, Woodville effectively conveys both physical hardship and emotional turmoil endured by those affected by evictions. This engraving serves as a poignant reminder of Ireland's troubled past but also highlights its resilience in times of adversity. It sheds light on an important chapter in Irish history that shaped its struggle for land rights and independence. As we observe this historical artwork today, it prompts us to reflect upon how far Ireland has come since then while acknowledging the challenges that were overcome along its journey towards progress and justice.

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