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"The Apocalyptic Woman", 17th century (painting)
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"The Apocalyptic Woman", 17th century (painting)
8766530 "The Apocalyptic Woman", 17th century (painting) by Grambs, Johan Valentin (c.1630/35-1708); (add.info.: "The Apocalyptic Woman", 17th century painting by Johan Valentin Grambs (1630/35-1708) referencing The Book of Revelation (The Apocalypse of John) chapter 12,
a vision of the end of time, left: a pregnant woman (later identified as Mary, the Madonna) standing on the crescent moon, right: St. Michael fighting the Dragon,
centre: added icon of a burning fire, God in heaven above Mary,
St. Catherine's Church (Katharinenkirche),
Frankfurt, Hesse, Germany); © Chinch Gryniewicz. All rights reserved 2024
Media ID 38285500
© © Chinch Gryniewicz. All rights reserved 2024 / Bridgeman Images
Book Of The Revelation Demon End Of The World Fantastic Creature Good Against Evil Wing Monster
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The Apocalyptic Woman
EDITORS COMMENTS
by Johan Valentin Grambs is a mesmerizing painting from the 17th century that captures the essence of The Book of Revelation. This allegorical masterpiece depicts a pregnant woman, later identified as Mary, standing on a crescent moon while St. Michael battles the Dragon. In the center, an added icon of burning fire symbolizes God in heaven above Mary.
The intricate details and vibrant colors in this painting transport viewers to a world where good clashes with evil, and divine forces combat monstrous creatures. The sky is filled with dramatic clouds and celestial beings, creating a sense of impending doom and salvation simultaneously.
Located in St. Catherine's Church in Frankfurt, Germany, this artwork serves as a powerful reminder of the end times described in biblical prophecy. Through its symbolism and religious imagery, "The Apocalyptic Woman" invites contemplation on themes such as faith, prayer, and the eternal struggle between light and darkness.
As we gaze upon this stunning piece by Grambs, we are reminded of the enduring power of art to evoke emotions and provoke thought about our place in the grand tapestry of existence.
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