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Habakkuk questioning Gods planned punishment of Judah by means of the Babylonians (engraving)

Habakkuk questioning Gods planned punishment of Judah by means of the Babylonians (engraving)


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Habakkuk questioning Gods planned punishment of Judah by means of the Babylonians (engraving)

7172409 Habakkuk questioning Gods planned punishment of Judah by means of the Babylonians (engraving) by European School, (17th century); Private Collection; (add.info.: Habakkuk questioning Gods planned punishment of Judah by means of the Babylonians (Habakkuk 1-2). One of an unidentified series of 17th century Bible prints, apparently published by Pierre Mariette, Paris.); © Look and Learn

Media ID 24715912

© Look and Learn / Bridgeman Images

Babylon Babylonian Babylonians Castigation Corporal Punishment Divine Doubt Heavenly Hebrew Hebrews Invasion Iraq Iraq Iraqi Mesopotamia Prophet Punishments Questioning Sentence Wrinting Antiquit Arab Civilization Arabians Central Africa Divinities Divinity Goddesses Hebrew Bible Jewish Religion Jews Psalms Punishment Sudan The Books Of The Bible


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> Historic > Ancient civilizations > Ancient Israel and Judah

> Historic > Ancient civilizations > Mesopotamia


EDITORS COMMENTS
This engraving from the 17th century depicts Habakkuk, a biblical prophet, questioning God's planned punishment of Judah through the Babylonians. The artist beautifully captures the essence of doubt and questioning in this thought-provoking scene. Habakkuk is shown deep in contemplation, his face filled with uncertainty as he grapples with the divine plan unfolding before him. The intricate details of the engraving bring to life the emotions running through his mind as he questions God's decision. The composition masterfully portrays Habakkuk's inner turmoil against a backdrop that hints at ancient Mesopotamia, specifically Babylon. This setting adds depth and historical context to the artwork, reminding viewers of the rich tapestry of civilizations that existed during biblical times. The print is part of an unidentified series of Bible prints from the 17th century and was likely published by Pierre Mariette in Paris. Its inclusion in private collections speaks to its value as a work of art that has stood the test of time. As we gaze upon this engraving, we are reminded not only of Habakkuk's struggle but also our own human inclination to question and seek understanding when faced with adversity or divine plans beyond our comprehension. It serves as a powerful reminder that faith does not mean blind acceptance but rather invites us to engage in thoughtful reflection on matters both earthly and heavenly.

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