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Moses speaking to God on Mount Sinai (engraving)
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Moses speaking to God on Mount Sinai (engraving)
7172313 Moses speaking to God on Mount Sinai (engraving) by European School, (17th century); Private Collection; (add.info.: Moses speaking to God on Mount Sinai (Exodus 19). One of an unidentified series of 17th century Bible prints, apparently published by Pierre Mariette, Paris.); © Look and Learn
Media ID 24752028
© Look and Learn / Bridgeman Images
Divine Exodus Heavenly Hebrew Hebrews High Mountain Mount Sinai Mountain Scenery Moutain Prophet Wrinting Divinities Divinity Goddesses Hebrew Bible Jewish Religion Jews Psalms The Books Of The Bible
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EDITORS COMMENTS
This engraving, titled "Moses speaking to God on Mount Sinai" takes us back to the 17th century. The image depicts a pivotal moment from the Old Testament's Book of Exodus, where Moses receives divine instructions from God atop Mount Sinai. The European School artist skillfully captures the intensity and reverence of this encounter. The monochromatic black-and-white composition adds an air of solemnity and timelessness to the scene. Moses is shown kneeling before a majestic mountain backdrop, symbolizing his humble submission in the presence of a higher power. The intricate details in this engraving highlight the artist's craftsmanship, particularly in capturing Moses' facial expression filled with awe and devotion. As we delve into religious themes within art history, this print serves as a reminder of faith's significance across different cultures and eras. It represents not only biblical narratives but also broader concepts such as divinity, spirituality, and human connection with the divine. The inclusion of this artwork in an unidentified series suggests its popularity during that period when Bible prints were widely disseminated for educational purposes. This particular print was possibly published by Pierre Mariette in Paris. With its historical context and artistic merit, "Moses speaking to God on Mount Sinai" offers viewers an opportunity to reflect on their own beliefs while appreciating both religious iconography and fine artistry from centuries past.
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