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Le bain des femmes a Pompei (Italie) (The womens bath in Pompeii). Peinture de Feodor Andreyevich Bronnikov (1827-1902). Huile sur toile, 1868, 32 x 41 cm. art russe. Museum of Regional studies, Chadrinsk (Russie)
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Le bain des femmes a Pompei (Italie) (The womens bath in Pompeii). Peinture de Feodor Andreyevich Bronnikov (1827-1902). Huile sur toile, 1868, 32 x 41 cm. art russe. Museum of Regional studies, Chadrinsk (Russie)
FIA5354419 Le bain des femmes a Pompei (Italie) (The womens bath in Pompeii). Peinture de Feodor Andreyevich Bronnikov (1827-1902). Huile sur toile, 1868, 32 x 41 cm. art russe. Museum of Regional studies, Chadrinsk (Russie). by Bronnikov, Fedor Andreevich (1827-1902); Museum of Regional Studies, Shadrinsk; Photo © Fine Art Images
Media ID 24693260
© Fine Art Images / Bridgeman Images
Anonymity Anonymous Back Bath Beauty Care Chest Everyday Life Hammam Hidden Face Hygiene Identity Naked Woman Pompeii
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EDITORS COMMENTS
This print captures the essence of ancient Roman life in Pompeii, Italy. Titled "Le bain des femmes a Pompei (Italie)" or "The women's bath in Pompeii" this painting by Feodor Andreyevich Bronnikov takes us back to the 19th century with its vibrant colors and meticulous details. In this scene, we are transported to a bustling hammam where women engage in their daily beauty rituals and hygiene practices. The artist skillfully portrays the intimacy of this moment as naked women gather around, their bodies delicately painted with shades of color. A servant attends to one woman's needs while her face remains hidden, adding an air of anonymity and intrigue. As we gaze at this artwork, we are reminded of the rich history that lies within these ancient walls. The Roman Empire comes alive through every stroke of Bronnikov's brush, showcasing the everyday lives of its inhabitants. From the exposed chests and bare backs to the carefully depicted architecture surrounding them, each element tells a story about identity and culture during that time period. Displayed proudly at the Museum of Regional Studies in Chadrinsk, Russia, this piece is a testament to both Russian artistry and our fascination with antiquity. It serves as a reminder that even centuries later, these glimpses into history continue to captivate our imagination and offer insights into different eras gone by.
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