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Woman in a large toile skirt, looking afraid of a spider

Woman in a large toile skirt, looking afraid of a spider


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Woman in a large toile skirt, looking afraid of a spider

5893118 Woman in a large toile skirt, looking afraid of a spider. by Wegener, Gerda Marie Frederike (1885-1940); (add.info.: Woman in a large toile skirt, looking afraid of a spider. Jupe de grosse toile. Handcoloured pochoir (stencil) etching after an illustration by Gerda Wegener from Tommaso Antonginis Journal des Dames et des Modes, Aux Bureaux du Journal des Dames, Paris, 1914.); © Florilegius

Media ID 23341132

© Florilegius / Bridgeman Images

Angst Anguish Anxiety Art Deco Art Deco 1910 1939 Ballets Russes Belle Epoque Belle Epoque 1871 80–1914 Chic Costumes Parisiens Etching Fashion Plate Journal Des Dames Et Des Modes Orientalism Pochoir Spider Stencil Tommaso Antongini Translucent Wrought Iron 1900 1910 Years 10 10s 1910 1919 Years 10 10s Arachnophobia Fear


FEATURES IN THESE COLLECTIONS

> Europe > France > Paris > Ballet

> Europe > France > Paris > Fashion

> Europe > United Kingdom > England > London > Art > Related Images

> Fine Art Finder > Artists > Fernand Siméon

> Fine Art Finder > Artists > Gerda Marie Frederike Wegener

> Historic > Historical fashion trends > Art Deco fashion trends

> Popular Themes > Art deco


EDITORS COMMENTS
This print titled "Woman in a large toile skirt, looking afraid of a spider" captures a moment of fear and vulnerability. The woman, dressed in an exquisite jupe de grosse toile skirt, is depicted with wide eyes and a startled expression as she encounters a spider. Her delicate features are accentuated by the translucent seathrough shawl draped over her shoulders. The image, handcoloured using the pochoir (stencil) technique by artist Gerda Wegener, showcases her exceptional talent for capturing emotions through illustration. This particular artwork was featured in Tommaso Antonginis Journal des Dames et des Modes in 1914 during the Belle Époque era. The fashion plate not only reflects the elegance and chic style of that time but also hints at the influence of Orientalism and Ballets Russes on Parisian costumes. It represents an amalgamation of different art movements prevalent during that period. Beyond its aesthetic appeal, this print evokes feelings of anguish and anxiety within viewers. The juxtaposition between the woman's beautiful attire and her evident fear creates an intriguing contrast that draws us into her emotional state. As we delve into this early twentieth-century masterpiece, we are reminded once again how art has always been able to capture human experiences across time.

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