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Adam and Eve after the Fall, 1857 (stained glass)

Adam and Eve after the Fall, 1857 (stained glass)


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Adam and Eve after the Fall, 1857 (stained glass)

3474741 Adam and Eve after the Fall, 1857 (stained glass) by Burne-Jones, Edward Coley (1833-98); College Dining Hall, Bradfield, UK; (add.info.: Manufactured by James Powell & Sons, Edward Burne-Joness 1st design
Elizabeth " Lizzie" Siddal holding the Baby, D.G. Rossetti in foreground
Lizzie Siddal (1834-62) British artist
Dante Gabriel Rossetti (1828-82) British artist); eAlastair Carew-Cox; English, out of copyright

Media ID 22726800

© Alastair Carew-Cox / Bridgeman Images

Adam Bright Church Window Dante Gabriel Rossetti Digging Elizabeth Siddal Fall Gothic Revival Gothick Lilies Lily Neo Gothic Painters Pre Raphaelites Spindle Spinning Stained Glass Window Sunflowers Vegetables Victorian Gothic Ecclesiastical Pre Raphaelite


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > C > Coley

> Arts > Artists > B > Edward Coley Burne-Jones

> Arts > Artists > Edward Burne-Jones > Pre-Raphaelite art

> Arts > Artists > Edward Burne-Jones > Victorian era paintings

> Arts > Artists > Edward Burne-Jones

> Arts > Artists > O > Elizabeth Olds

> Arts > Artists > R > Dante Gabriel Rossetti

> Arts > Artists > Related Images

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> Arts > Street art graffiti > Portraits > Fine art

> Fine Art Finder > Artists > Edward Coley Burne-Jones

> Fine Art Finder > Artists > Ford Madox Brown

> Fine Art Finder > Stained Glass


EDITORS COMMENTS
This stained glass print, titled "Adam and Eve after the Fall" transports viewers back to 1857. Created by renowned artist Edward Coley Burne-Jones, this masterpiece can be found in the College Dining Hall at Bradfield, UK. Manufactured by James Powell & Sons, it showcases Burne-Jones' first design. The scene depicted in this artwork is rich with symbolism and emotion. In the foreground, we see Elizabeth "Lizzie". Siddal holding a baby while Dante Gabriel Rossetti stands nearby. Lizzie Siddal herself was a talented British artist of that era. The image also features Adam and Eve kneeling amidst vibrant flowers and sunflowers. The neo-gothic style of this stained glass window adds an ethereal touch to the overall composition. It beautifully captures elements from the Old Testament as well as Victorian farming life. The presence of vegetables, lilies, and a spindle hints at themes of labor and family. With its intricate details and vivid colors, this piece exemplifies the pre-Raphaelite art movement that swept through England during that time period. Its portrayal of Adam and Eve post-Fall evokes both sorrow for their loss but also hope for redemption. Alastair Carew-Cox skillfully captured this stunning photograph which allows us to appreciate every nuance of Burne-Jones' original work. As we gaze upon it today, we are reminded not only of its historical significance but also its enduring beauty within the realm of fine art.

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