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Christ before Pilate (tempera and gilding on panel)

Christ before Pilate (tempera and gilding on panel)


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Christ before Pilate (tempera and gilding on panel)

1217396 Christ before Pilate (tempera and gilding on panel) by Master of the Bielefeld Altar (fl.c.1431); 57.5x42 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: (1401 - 1500)); eAshmolean Museum; German, out of copyright

Media ID 23084938

© Ashmolean Museum / Bridgeman Images

Crown Of Thorns Early Renaissance Enthroned Life Of Christ Passion Pontius Pilate Westernart Northern Renaissance


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> Arts > Art Movements > Renaissance Art

> Europe > Germany > Bielefeld

> Fine Art Finder > Artists > Ford Madox Brown

> Fine Art Finder > Life Of Christ

> Historic > Renaissance art > Northern Renaissance art > Renaissance art

> Historic > Renaissance art > Northern Renaissance art

> Historic > Renaissance art

> Northern renaissance paintings

> Renaissance art


EDITORS COMMENTS
The captivating print of "Christ before Pilate" by the Master of the Bielefeld Altar takes us back to a significant moment in history. This early Renaissance masterpiece, created between 1401 and 1500, depicts an intense scene from the life of Christ. In this artwork, we witness Jesus Christ standing before Pontius Pilate, the Roman governor who holds immense power over his fate. The artist's meticulous use of tempera and gilding on panel brings out the intricate details and rich colors that enhance every emotion portrayed. As we gaze at this image, our attention is drawn to Jesus wearing a crown of thorns upon his head. His serene yet resolute expression reflects his unwavering faith amidst adversity. Meanwhile, Pilate sits enthroned with an air of authority as he contemplates the decision that will shape history. This piece belongs to the Northern Renaissance movement, known for its emphasis on naturalism and detailed rendering. The Master of the Bielefeld Altar skillfully captures both physical features and emotional depth in each figure present. Now housed in Ashmolean Museum at University of Oxford in UK, this print serves as a reminder not only of Christ's passion but also highlights themes such as power dynamics and religious devotion prevalent during that era. Through Bridgeman Images' reproduction, viewers can appreciate this remarkable work without commercial intent but rather for its artistic value and historical significance it holds within Western art tradition.

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