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Cupboard, circa 1900 (wood, beaten metal)
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Cupboard, circa 1900 (wood, beaten metal)
7443834 Cupboard, circa 1900 (wood, beaten metal) by Morris, Talwin (1865-1911); Glasgow Museums, UK; (add.info.: E.1946.5.o
FURNITURE
cupboard
Morris, Talwin (1865 - 1911, British)
Scotland, Glasgow (place associated)
circa 1900
wood, beaten metal
overall: 1610 mm x 662 mm x 490 mm 32380 g
Cupboard, tall and narrow with projecting top, dark stained wood, decorative beaten metal panel inset in door, by Talwin Morris (1865-1911)); © CSG CIC Glasgow Museums Collection
Media ID 33089892
© © CSG CIC Glasgow Museums Collection / Bridgeman Images
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EDITORS COMMENTS
This print showcases a stunning piece of furniture from the early 20th century. The Cupboard, circa 1900, crafted by the talented British artist Talwin Morris, is a true masterpiece that combines wood and beaten metal in an art nouveau style. Standing tall and narrow with a projecting top, this dark stained wooden cupboard exudes elegance and sophistication. Its door features a decorative beaten metal panel inset, adding intricate details to its already exquisite design. The craftsmanship displayed in this piece is truly remarkable. The photograph captures the essence of this extraordinary cupboard while also highlighting its surroundings. A single woman stands beside it, her face turned towards the camera as she admires the beauty before her. A delicate rose rests on top of the cabinet, symbolizing love and grace. The combination of woodwork and metalwork creates a harmonious blend of materials that adds depth to this artistic creation. It is evident that every aspect of this cupboard has been carefully thought out and executed with precision. This print not only serves as a visual delight but also provides insight into the art movement prevalent during that era. It transports us back to Scotland's Glasgow in the early 1900s when artists like Talwin Morris were pushing boundaries and creating exceptional pieces like this one. Overall, Di Dosmo's capture beautifully encapsulates both the aesthetic appeal and historical significance of this remarkable artwork from Glasgow Museums' collection.
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