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Illustration of Guydo (1868-1930) in Le Rire, 1899-8-12 - In Luxembourg - Colonization Colonialism Colonies, Africa, Love, Congo - Black

Illustration of Guydo (1868-1930) in Le Rire, 1899-8-12 - In Luxembourg - Colonization Colonialism Colonies, Africa, Love, Congo - Black


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Illustration of Guydo (1868-1930) in Le Rire, 1899-8-12 - In Luxembourg - Colonization Colonialism Colonies, Africa, Love, Congo - Black

ICA4872949 Illustration of Guydo (1868-1930) in Le Rire, 1899-8-12 - In Luxembourg - Colonization Colonialism Colonies, Africa, Love, Congo - Black by Guydo (1868-1930); (add.info.: Illustration of Guydo (1868-1930) in Le Rire, 1899-8-12 - In Luxembourg - Colonization Colonialism Colonies, Africa, Love, Congo - Black); Photo © Caricadoc

Media ID 25135316

© Caricadoc / Bridgeman Images

Public Garden Seduction Caricadoc Conversation Journalism Newspapers


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> Africa > Related Images

> Animals > Insects > Spiders > European Garden

> Europe > Luxembourg > Posters

> Europe > Luxembourg > Related Images

> Fine Art Finder > Artists > Francesco Brambilla

> Fine Art Finder > Artists > Guydo


EDITORS COMMENTS
This print, titled "Illustration of Guydo (1868-1930) in Le Rire, 1899-8-12 - In Luxembourg - Colonization Colonialism Colonies, Africa, Love, Congo - Black" captures the essence of a significant era in history. Created by renowned artist Guydo (1868-1930), this illustration showcases the complexities and contradictions of colonialism. Set against the backdrop of a public garden in Luxembourg, the image portrays an intriguing conversation between a French girl and an African man. The composition symbolizes the intertwining of cultures during a time when European powers were actively colonizing various parts of Africa. The woman's expression reflects curiosity and fascination as she engages with her African counterpart. This interaction highlights themes such as communication, seduction, and love transcending boundaries. It also raises questions about power dynamics within colonial societies. Guydo's attention to detail is evident in his intricate engraving technique that brings life to each character. The print was originally featured in Le Rire newspaper on August 12th, 1899 – a publication known for its satirical commentary on contemporary society. As we reflect upon this artwork from the late 19th century into the early 20th century, it serves as a reminder of Europe's imperialistic past and invites us to critically examine our present-day understanding of colonization and its lasting impact on both continents involved.

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