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Adoration of images in Siberia, drawing by Eve Felinska, to illustrate his memories of exile in Siberia in 1839. Engraving in "Le tour du monde", edited by Edouard Charton, 1862. Selvas collection
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Adoration of images in Siberia, drawing by Eve Felinska, to illustrate his memories of exile in Siberia in 1839. Engraving in "Le tour du monde", edited by Edouard Charton, 1862. Selvas collection
LSE4324862 Adoration of images in Siberia, drawing by Eve Felinska, to illustrate his memories of exile in Siberia in 1839. Engraving in " Le tour du monde", edited by Edouard Charton, 1862. Selvas collection. by Felinska, Eve (179---1859); Private Collection; (add.info.: Adoration of images in Siberia, drawing by Eve Felinska, to illustrate his memories of exile in Siberia in 1839. Engraving in " Le tour du monde", edited by Edouard Charton, 1862. Selvas collection.); © Leonard de Selva. All rights reserved 2022
Media ID 25195736
© Leonard de Selva. All rights reserved 2022 / Bridgeman Images
19 19e 19eme Xix Xixe Xixeme Siecle Chretiente Christianisme Noir Et Blanc Orthodox Religion Religion Chretienne Chretien Rituel Russie Russe Russes Siberia Siberie Christendom
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EDITORS COMMENTS
The captivating print titled "Adoration of images in Siberia" by Eve Felinska offers a glimpse into the artist's memories of exile in Siberia in 1839. This engraving, featured in "Le tour du monde" edited by Edouard Charton in 1862, showcases the profound impact of religion and faith on individuals enduring hardship. In this image, we witness a powerful Christian ritual taking place within the vast landscapes of Siberia. The scene is filled with devout believers engaging in an act of adoration towards religious icons. Their faces reflect both reverence and resilience as they find solace and strength through their Orthodox faith. Felinska's meticulous attention to detail brings forth the somber beauty that lies within this spiritual gathering. The composition highlights not only the physical surroundings but also captures the emotional depth experienced by those who have been exiled from their homes. As we delve into this historic moment frozen in time, it becomes evident that religion served as a guiding light for these exiles amidst their struggles. Through this artwork, Felinska invites us to contemplate how spirituality can provide comfort and hope even under the harshest circumstances. Leonard de Selva's preservation of this remarkable piece ensures that future generations can bear witness to Eve Felinska's artistic expression and her poignant portrayal of devotion amidst adversity.
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