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Mars, his Sword Drawn, turned to the Right, (pen and brown ink on paper)
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Mars, his Sword Drawn, turned to the Right, (pen and brown ink on paper)
990000 Mars, his Sword Drawn, turned to the Right, (pen and brown ink on paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 25.6x19.7 cm; Private Collection; (add.info.: Mars, his Sword Drawn, turned to the Right. Guercino (Giovanni Francesco Barbieri) (1591-1666). Pen and brown ink on paper. 25.6 x 19.7cm.); Photo eChristies Images; Italian, out of copyright
Media ID 22523970
© Christie's Images / Bridgeman Images
Active Armed Barbieri Brown Ink Drawn Facial Hair Giovanni Francesco Barbieri Guercino Il Guercino In Ink Ink Drawing Italian Art Italian Artist Mars Mounted On Paper Mythical Old Master Drawings On Paper One Man Only Physical Activity Protective Clothing Pulled Pulling Apparel Bearded
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EDITORS COMMENTS
This print showcases Guercino's masterpiece, "Mars, his Sword Drawn, turned to the Right". The artwork, created with pen and brown ink on paper, measures 25.6x19.7 cm and is part of a private collection. In this striking image, Mars, the Roman god of war, takes center stage as he stands in a three-quarter length pose with his sword drawn. Clad in armor and a helmet adorned with intricate details, he exudes strength and power. His bearded face reflects determination as he gazes towards the right. Guercino's skillful use of ink brings life to this mythological scene. The artist expertly captures Mars' dynamic posture and facial expression through precise lines and shading techniques. The brown ink adds depth to the drawing while maintaining an air of elegance. As one explores this piece further, they are transported into a world where ancient mythology intertwines with artistic brilliance. Guercino's attention to detail is evident not only in Mars' attire but also in every stroke that forms the background elements. This print allows art enthusiasts to appreciate Guercino's mastery from afar while preserving its historical significance for generations to come. It serves as a testament to the enduring appeal of old master drawings and their ability to captivate viewers across time.
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